1948
DOI: 10.4159/harvard.9780674732889
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Mandarin Primer

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Cited by 186 publications
(27 citation statements)
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“…Mandarin is usually described as having four tones (high level, rising, falling-rising, and falling; Chao, 1948), whereas Cantonese is typically considered to have three contour tones in addition to the three level tones already mentioned: low falling, low rising, and high rising (Matthews & Yip, 1994). Measurement of the natural utterances on which the present stimuli are based, as well as fundamental frequency measures by Bauer and Benedict (1997) and graphs displayed by Gandour (1983), suggested that the relationship between the Cantonese high-level and high-rising tones is qualitativelysimilar to that between the Mandarin high-level and rising tones, as used by Wang (1976).…”
Section: Methodsmentioning
confidence: 99%
“…Mandarin is usually described as having four tones (high level, rising, falling-rising, and falling; Chao, 1948), whereas Cantonese is typically considered to have three contour tones in addition to the three level tones already mentioned: low falling, low rising, and high rising (Matthews & Yip, 1994). Measurement of the natural utterances on which the present stimuli are based, as well as fundamental frequency measures by Bauer and Benedict (1997) and graphs displayed by Gandour (1983), suggested that the relationship between the Cantonese high-level and high-rising tones is qualitativelysimilar to that between the Mandarin high-level and rising tones, as used by Wang (1976).…”
Section: Methodsmentioning
confidence: 99%
“…The tones of Mandarin as spoken in mainland China, as well as those of other Chinese languages, have been described by many investigators (e.g., Chao, 1948Chao, , 1968Ho, 1976;Howie, 1974Howie, , 1976Kratochvil, 1968Kratochvil, , 1985Kratochvil, , 1998. However, certain points need clarification.…”
Section: The Acoustics Of Mandarin Chinese Tonesmentioning
confidence: 99%
“…The fourth tone, high falling, ', starts near the top of the range and falls toward the bottom. This traditional under standing of Mandarin tones, as seen in Chao (1948), is confirmed by acoustic measurings carried out by Brotzman (1964) and Dreher and Lee (1966).…”
mentioning
confidence: 64%