2020
DOI: 10.31598/bahasarupa.v3i2.460
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Makna Kode Visual Dalam Scene Film Animasi “ Battle of Surabaya”

Abstract: The animated film "Battle of Surabaya" is one of the nation's children's work that is able to win various awards, both at national and international levels. In some scenes in this animated film, there is a visual code that contains information or messages delivered to the audience (audience). Through observing several scenes, it is found that there is a meaning of the visual codes contained in the scene. This study aims to analyze the aesthetic visual codes contained in the first, middle and end scenes of the … Show more

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Cited by 4 publications
(4 citation statements)
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“…In this film, the five characters spend a lot of time in the home environment and at work. Examples are scene (Irawan et al, 2019;Pasek et al, 2020) Angkasa who is being scolded while using a device when meeting and scene Aurora spent a lot of time in the studio.…”
Section: Reality Levelmentioning
confidence: 99%
“…In this film, the five characters spend a lot of time in the home environment and at work. Examples are scene (Irawan et al, 2019;Pasek et al, 2020) Angkasa who is being scolded while using a device when meeting and scene Aurora spent a lot of time in the studio.…”
Section: Reality Levelmentioning
confidence: 99%
“…Semiotika merupakan suatu ilmu tentang kode atau tanda dan menjelaskan secara sistematik tentang tanda tersebut sebagai sesuatu yang bermakna. Semiotika juga mempelajari penggunaan tanda atau kode dalam masyarakat [16]. Sampul majalah dan ilustrasi merupakan elemen visual yang bukan hanya sebuah rancangan yang memadukan antara elemen estetikanya sebagai upaya persuasif, namun memiliki sebuah sistem komunikasi sebagai pengantar kode-kode yang hadir di dalamnya [17].…”
Section: Desain Penelitianunclassified
“…Pesan tersebut dapat dilihat melalui kode visual dalam setiap adegan (scene). Kode-kode yang disepakati secara sosial dalam kehidupan sehari-hari biasanya menjadi budaya dalam hidup seperti: gerak tubuh, pakaian, aksesori, tempat dan lain sebagainya (Hasbullah & Yasa, 2020). Sejalan dengan pendapat tersebut, Winarni & Wardani (2015) menyebutkan visualisasi di dalam film animasi adalah bentuk tanda-tanda dari aktivitas budaya manusia yang dapat membangun persepsi tertentu di masyarakat.…”
Section: Generasi Milenialunclassified