2014
DOI: 10.1109/t-affc.2013.21
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Making Tactile Textures with Predefined Affective Properties

Abstract: Abstract-A process for the design and manufacture of 3D tactile textures with predefined affective properties was developed. Twenty four tactile textures were manufactured. Texture measures from the domain of machine vision were used to characterize the digital representations of the tactile textures. To obtain affective ratings, the textures were touched, unseen, by 107 participants who scored them against natural, warm, elegant, rough, simple, and like, on a semantic differential scale. The texture measures … Show more

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Cited by 23 publications
(29 citation statements)
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“…It is valuable to refer to earlier studies where physical properties and affective or perceptual responses were linked (e.g. [1], [18], [19]) to develop multilayered models of products.…”
Section: Introductionmentioning
confidence: 99%
“…It is valuable to refer to earlier studies where physical properties and affective or perceptual responses were linked (e.g. [1], [18], [19]) to develop multilayered models of products.…”
Section: Introductionmentioning
confidence: 99%
“…To show the superior of the proposed method, we consider the relative improvements between the fuzz criteria achieved by the proposed methods to that achieved by the existing method. The relative improvement is formulated in (17). It is similar to the variation measure which indicates performance difference between two models [32].…”
Section: ) Numerical Resultsmentioning
confidence: 99%
“…These prediction models are generally developed by the statistical regression method as they provide explicit information such as variable significances, variable interactions and confidence intervals for dependent variables [7]. Recent research also shows that statistical regression models have been developed for the affective design of websites [5], aesthetic dental restorative materials [8], aesthetic plastic surgery [9], aesthetic evaluation of structural landscaping [10], visual aesthetics of images [11,12] or video [13], and the affective design of new products [14][15][16] or tactile textures [17].…”
Section: Introductionmentioning
confidence: 99%
“…Bundgaard's work addressed the phenomenology of aesthetic experience, which showed why and how aesthetic experience should be defined relative to its object and the tools for meaning-making specific to that object, and not relative to the feeling [45]. Elkharraz, Thumfart, Akay, et al designed and manufactured 3D tactile textures with predefined affective properties, synthesized 48 new tactile texture using mixing algorithms and that were likely to score highly against the predefined affective properties [46]. Above all, visual scientists will come to realize that a rich resource they are provided with by artists who exploit the potential of the visual brain in their creations that are well worth studying scientifically [47].…”
Section: Modeling Esthetics Perception Of Visual Artsmentioning
confidence: 99%