“…This new repression is aided by the anaesthetising qualities of the train's soft furnishings; Klotz notes that railway carriages, particularly in first class, replicated bourgeois homes, as in Augustus Egg's painting The Travelling Companions (1862), where two middle-class woman sit in a comfortable train carriage, one reading a novel while another sleeps. 38 Neither looks out at the landscape, from which they are both separated and protected.…”