1962
DOI: 10.1044/jshr.0502.185
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Low Sensation Level Effects of Pure-Tone Delayed Auditory Feedback

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Cited by 15 publications
(7 citation statements)
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“…This will be referred to as the 4-2 pattern; it has been used in previous DAF tapping studies (e.g., Karlovich & Graham 1966, 1967Ruhm & Cooper, 1962), in which it showed more marked effects than did simpler patterns, such as groups of 3 (see Experiment 2 in the present paper for confirmation) or a 3 -1 pattern. 1 The pattern was tapped at two rates; the 250-msec rate had intertap onset intervals of 250 msec within a group (within-group interval) and 500 msec between groups (betweengroup interval), whereas the 400-msec rate had a within-group interval of 400 msec and a between-group interval of 800 msec.…”
Section: Stimuli and Delay Conditionsmentioning
confidence: 64%
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“…This will be referred to as the 4-2 pattern; it has been used in previous DAF tapping studies (e.g., Karlovich & Graham 1966, 1967Ruhm & Cooper, 1962), in which it showed more marked effects than did simpler patterns, such as groups of 3 (see Experiment 2 in the present paper for confirmation) or a 3 -1 pattern. 1 The pattern was tapped at two rates; the 250-msec rate had intertap onset intervals of 250 msec within a group (within-group interval) and 500 msec between groups (betweengroup interval), whereas the 400-msec rate had a within-group interval of 400 msec and a between-group interval of 800 msec.…”
Section: Stimuli and Delay Conditionsmentioning
confidence: 64%
“…One measurement of impairment used in DAF tapping studies (e.g., Chase, Harvey, et al, 1961;Ruhm & Cooper, 1962) is counting or number errors: how frequently groups in a pattern are performed with an incorrect number of taps. To calculate such measures, it is necessary to have a criterion for which taps should be considered part of a single group.…”
Section: Error Measures and Critical Intervalmentioning
confidence: 99%
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“…Delayed auditory feedback (DAF) experiments in tapping (Chase, Rapin, Gilden, Sutton, & Guilfoyle, 1961;Ruhm & Cooper, 1962) and music (Finney, 1997;Gates, Bradshaw, & Nettleton, 1974), including the combination of synchronous and delayed feedback (Ruhm & Cooper, 1964) and synchronization tasks combined with DAF (Aschersleben & Prinz, 1997).…”
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confidence: 99%