“…Once it was clear that Evelina was a success, Charles Burney lost no time in making its authorship known to the circle of polite and literary London to which he had access. 15 While Spencer quite rightly identifies Charles Burney's instrumental role in destroying this 'snugship', I would argue that the term in fact stands not simply for 'anonymity' but for a very particular ideal of anonymity (albeit imperfect in practice) that is situated within the familial, domestic network and guaranteed by the privacy of that setting. It is the dissemination beyond that family network to which Burney most objects, although it is notable that she contrasts the 'censures' of Dr Lort unfavourably with 'the flattery I met with at Streatham' (i.e., from Johnson and Thrale), which 'would indeed have spoiled me for all other, by the delicacy of it's [sic] texture, had I been ever so greedy of it naturally' (EJL, vol.…”