Limits of Thought in the Light of Nature and Divinity. A Return to Ancient Thought or the Quest for the Being of Primordial Thinking in the Late Heidegger

Okorokov, Viktor

doi:10.29202/phil-cosm/20/17

Cited by 4 publications

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“…In this context, Heidegger's thought strives for the primordiality of the European tradition (in this regard, he is a student of Nietzsche), and then the purity of thought is associated with approaching the origins (in our case, European culture, in a rough interpretation of the critical (fundamental) analysis of the origins of European consciousness -λόγος, ἀλήϑεια, logic and metaphysics). In other words, for a long time, Heidegger thinks about the origins of the ancient gift to posterity, successively moving from Parmenides (Heidegger, 1992) to Heraclitus (Heidegger, 1979), and the gift of metaphysical thought (Heidegger, 1983), and revealing the symptoms of the purity of words, language and thought of the Greeks ( Gods' light in Heraclitus and Parmenides, the light and authenticity of truth in Plato and Aristotle, which we wrote about in earlier work (Okorokov, 2018). The connection between thinking, being and time can also be found in our earlier works (Okorokov, 2020(Okorokov, , 2022.…”

Section: Section Three Cosmos and Historymentioning

confidence: 99%

“…In our earlier works (Okorokov, 2018(Okorokov, , 2020(Okorokov, , 2022, we tried to reveal the essence of thinking, unfolding time, and the movement of thought to its origins. On this issue, the pedantic (if not to say still thinking in a logical-metaphysical way) Heidegger, who studied only the problem of the manifestation of being in Greek thinking (clearing), does not want to move to an earlier (and purer) source of thought and stops at Anaximander, Heraclitus and Parmenides (although he is already reproached for returning to these thinkers).…”

Section: Section Three Cosmos and Historymentioning

confidence: 99%

“…Cosmos and History fundamental anthropology. Such a study is based on our earlier works on Heidegger (Okorokov, 2018(Okorokov, , 2020, as well as the article on the pure consciousness of early Heidegger (primarily, "Being and Time" (Okorokov, 2022). Similar issues in Heidegger's work were studied by both Ukrainian: A. Bogachov (Bogachov, 2021), I. Karivets (Karivets, 2020), R. Kobets (Kobets, 2020), E. Boliaki (Boliaki, 2012), L. Gordon, and A. Wohlman (Gordon & Wohlman, 2019), M. Peters (Peters, 2019), R. Huttunen, and L. Kakkori (Huttunen & Kakkori, 2021), M. Lambert (Lambert, 2020), G. Petropoulos (Petropoulos, 2020), R. Uljée, G. Tsagdis, and F.W.…”

Section: Introductionmentioning

confidence: 99%

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Untitled

2022

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The evolution (sensu lato) of the cosmos can be divided in three phases: cosmological evolution (sensu stricto), biological evolution and cultural evolution. Analogies between biological and cultural evolution date from the nineteenth century although it is only in the past two decades that so-called cultural evolution research has exploded. By contrast, comparisons between cosmological evolution and either biological or cultural evolution are uncommon. Here, we compare these three kinds of evolution and try to delineate their common grammar. Do their structure and underlying dynamics have characteristics in common? We believe that this is indeed the case and also that this Universal Grammar of Evolution can and should be used as a heuristic template in the study of these three kinds of evolution. Furthermore, this provisional template also might help scholars in their attempts to sketch the future course of a possible fourth kind of evolution, that of artificial intelligence and intelligent machines.

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Section: Section Three Cosmos and Historymentioning

confidence: 99%

Section: Section Three Cosmos and Historymentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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2022

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“…Currently, the philosophy of Martin Heidegger most fully represents the epistemology "Those who transform the Earth". Heidegger not only constantly appeals to the ideas of Plato, Aristotle and other classics of Ancient Greece, but also relies on insights and generalisations of the philosophers of the Modern Age: Immanuel Kant, Georg Wilhelm Hegel, Wilhelm Dilthey, Edmund Husserl and others (Sheehan, 2014;Okorokov, 2018). In a letter to Karl Jaspers, Heidegger characterized himself as "the museum attendant, who draws the curtains aside so that the great works of philosophy should be seen more clearly" (Safranski, 2005, p. 565).…”

Section: The Philosophy Of Martin Heideggermentioning

confidence: 99%

The Philosophy of the Modern Age: The Issue of the Source of Meaningful Presence

Bazaluk¹

2021

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A brief analysis of the philosophy of the Modern Age has allowed establishing the following. (1) The idea of philosophy, formulated by Plato, has hold sway in modern history. It corresponds to the demands of a new reality, which is revealed as a process. (2) In the context of a new reality, the idea of philosophy revealed previously unknown qualities. Martin Heidegger proved that the idea of philosophy does not need Mediators or any other external source. Instead, the unity of certain discourse and way of life has an inner source, which Heidegger coined the term “the appropriated clearing” (die ereignete Lichtung). This source reveals in the idea of philosophy the potency (????????, dúnamis), which under certain conditions is capable of transforming an individual discourse and a way of life independently.

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European Plastic Art in Anthropological Dimension: From the Classics to the Postmodernism

Rusin

Liashenko

2018

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The article is devoted to the analysis of corporality as an attribute of plastic art in the Ancient art, the Middle Ages, the Renaissance, the modernism and the postmodernism. Theoretical basis. The authors consider historical development of the art as a change of paradigms. Within each paradigm a special understanding of art is created, which is characterized both by the act of creativity itself and by the evaluation of its results. Particularly urgent is the task to identify the origins of these changes, to indicate their stages, the direction of the evolution of artistic creativity. In this context, corporality as a paradigm of European plastic art is considered in the article in the concrete historical dimension from the classics to the postmodernism. Originality. Postmodern experiments stimulate blurring the borders between the traditional forms and genres of art. Review of canonical ideas about the creation and destruction, order and chaos in art illustrates conscious reorientation from the classical understanding of artistic creativity to the construction of artifacts-simulacra, which is a characteristic feature in the oeuvre of contemporary artists, ranging from the pop art to the present day. Conclusions. The ideas of postmodern philosophers found their visual embodiment in modern artistic practices. Reconstruction of the body, re-switching of its elements according to the principle of chaotic collage, the interpretation of the human body as a separate substance isolated from the individual him/herself, which is presented as a phenomenon of mass culture, became the basis of the creative method of contemporary plastic art. The ideas of postmodern philosophers have found their visual embodiment in the contemporary artistic practices.

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Limits of Thought in the Light of Nature and Divinity. A Return to Ancient Thought or the Quest for the Being of Primordial Thinking in the Late Heidegger

Cited by 4 publications

References 7 publications

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The Philosophy of the Modern Age: The Issue of the Source of Meaningful Presence

European Plastic Art in Anthropological Dimension: From the Classics to the Postmodernism

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