This paper discusses negative space as a methodology as pertaining to imaginaries of violence in Cambodia. Negative space references the use of images in the recounting of stories of this violence; however, due to the scarcity of photographic records from the era before the fall of the Khmer Rouge, these archives exist on the skins of former soldiers. This paper traces how a set of yantra tattoos provokes expressions of violence from the past and, potentially, in the future. The paper contextualizes these tattoos with histories of violence, an analytic philosophy of images and Buddhist memorialization of death. The tattoos render the human body as 'negative space', allowing for what seems to be secretive to be revealed as representations that capture uncertainties in imaginaries of violence. Non-Existent Photographs, Finding Cambodia "This is a photo that didn't exist," my Cambodian-American friend Chavi said as she thrust her phone at me, showing me a picture of a couple in a doorway. It was her father and her mother. Her mother was pale and sported a shiny black beehive haircut and a sleeveless brocade dress. "Look at her," my roommate said, "already pissed." Her father, beside his unsmiling new wife, stared out and over as if at a crowd, grinning through his chiselled cheekbones.