2018
DOI: 10.18355/xl.2018.11.02.37
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Lexico-semantic and linguo-stylistical analysis of A. Vvedensky's and D. Kharms' art texts

Abstract: The article is devoted to the linguistic analysis of art structures of two avant-garde writers. The general category of texts is taken as a basis -the category of absurdity often referred to as "boffinry.» Notwithstanding the traits of similarity, the ways of realization of an art discourse differ, for example, A. Vvedensky has a dominating principle of "semantic nonsense," as well as D. Kharms -"situational nonsense" when there is either a collision of meanings or collision of situations. As a result, it is p… Show more

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