¿Legados prestigiosos? La revalorización del sustrato cultural indígena en la construcción identitaria argentina, entre fines del siglo XIX y los años treinta

Mailhe, Alejandra

doi:10.46877/mwps.23.6.2020.mailhe

Cited by 13 publications

(7 citation statements)

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“…Manumission by substitution is mentioned in several studies on slavery in Brazil, and it was particularly strong in Bahia. 23 Still, it has been discussed only as a means of payment, not as a more complex institution related to property rights of slaves by other slaves. For Salvador, specifically, a study by Stuart Schwartz on the first half of the eighteenth century found eighteen cases of substitution, or 3 percent of all paid manumissions.…”

Section: Enslaved Slaveowners In Manumission Bidsmentioning

confidence: 99%

Slaves Who Owned Slaves in Nineteenth-Century Bahia, Brazil

Reis¹

2021

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It was not uncommon in Brazil for slaves to own slaves. Slaves as masters of slaves existed in many slave societies and societies with slaves, but considering modern, chattel slavery in the Americas, Brazil seems to have been a special case where this phenomenon thrived, especially in nineteenth-century urban Bahia. The investigation is based on more than five hundred cases of enslaved slaveowners registered in ecclesiastical and manumission records in the provincial capital city of Salvador. The paper discusses the positive legal basis and common law rights that made possible this peculiar form of slave ownership. The paper relates slave ownership by slaves with the direction and volume of the slave trade, the specific contours of urban slavery, access by slaves to slave trade networks, and slave/master relations. It also discusses the web of convivial relations that involved the slaves of slaves, focusing on the ethnic and gender profiles of the enslaved master and their slaves.

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Section: Enslaved Slaveowners In Manumission Bidsmentioning

confidence: 99%

Slaves Who Owned Slaves in Nineteenth-Century Bahia, Brazil

Reis¹

2021

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“…In the same year, one of his sons, Eduardo Bolsonaro, was elected as a Rio de Janeiro federal representative for the first time, with 82,000 votes. The vast difference in the number of votes comes from two main factors: the early engagement in social networking 23 and an emphasis on consistently defending conservative values, especially from 2011 onwards. 24 Bolsonaro historically has always sought to meet the demands for better wages from the low-rank military, his electoral base, and position himself frontally against human rights, not afraid of asserting himself as an anti-communist, right-wing politician.…”

Section: Breaking With the System: Bolsonaro's Rise To Powermentioning

confidence: 99%

The New Brazilian Right and the Public Sphere

Rocha¹

2021

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This paper traces the origins of the New Brazilian Right, regarding the emergence of new leaders, new forms of expression and organization, as well as new sets of ideas, namely libertarianism and anti-globalism. Based on more than thirty in-depth interviews, conducted between 2015 and 2019 with right-wing leaders and activists; on a collection of historical data from right-wing organisations’ archives between 2015 and 2018, and on public data, I argue that this phenomenon started in the mid-2000s, after the onset of a corruption scandal related to the Partido dos Trabalhadores (PT) and the dissemination of the pioneering social network Orkut in Brazil. This social network, founded in 2004, preceded Facebook’s popularity in Brazil and enabled the creation of alternative and disruptive spaces of debate, referred to here as “counterpublics”. By mid- to late 2010s, during the 2014 protests for the impeachment of Dilma Rousseff and Jair Bolsonaro’s 2018 presidential campaign, this emerging new right would be at full throttle.

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“…In the second poem, "O trovador", the singer, the lyrical self, the harlequin, 23 narrator and rhapsodist, who also reveals himself as a "lute-beating Tupí", already appear as a melancholic. "Sick in his soul", he remembers with a chill ("um frio") a stricken person:…”

Section: Pauliceia Desvairada: Picture Puzzles In a Deliriummentioning

confidence: 99%

“…In his exposition of the idea, harmonics is associated with verticality, simultaneity and polyphony; numerous advocates of similar procedures such as Paul Dermée, Apollinaire and, to some extent, the Parnassian poet Olavo Bilac are cited as sources. Andrade turns away from melodic language, based on chronological sequence and the rules of grammar and linearity (PD: [22][23][24][25][26].…”

Section: Memento Mori -Remembrance Of the Dead: An Aesthetic Challengementioning

confidence: 99%

Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu

Klengel¹

2020

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past

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¿Legados prestigiosos? La revalorización del sustrato cultural indígena en la construcción identitaria argentina, entre fines del siglo XIX y los años treinta

Cited by 13 publications

References 0 publications

Slaves Who Owned Slaves in Nineteenth-Century Bahia, Brazil

Slaves Who Owned Slaves in Nineteenth-Century Bahia, Brazil

The New Brazilian Right and the Public Sphere

Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu

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