2004
DOI: 10.1515/9781400826131
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Cited by 16 publications
(3 citation statements)
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“…I feel shaken to the core of my being and can get out of myself whatever I desire. It is a matter of ... mysterious powers..." (cited by Corngold, [ 42 ], p. 23). Sleep deprivation may serve as a non-drug "psychotomimetic" model (i.e., producing a psychotic like state in healthy individuals) with attendant changes in dopamine in the striatum and NMDA and AMPA ionotropic glutamate receptor function in pre-frontal cortex [ 43 ].…”
Section: What Relevance Do the Neurobiological Studies Have To Kafka'mentioning
confidence: 99%
“…I feel shaken to the core of my being and can get out of myself whatever I desire. It is a matter of ... mysterious powers..." (cited by Corngold, [ 42 ], p. 23). Sleep deprivation may serve as a non-drug "psychotomimetic" model (i.e., producing a psychotic like state in healthy individuals) with attendant changes in dopamine in the striatum and NMDA and AMPA ionotropic glutamate receptor function in pre-frontal cortex [ 43 ].…”
Section: What Relevance Do the Neurobiological Studies Have To Kafka'mentioning
confidence: 99%
“…(August 6, 1914) The latter diary entry was written shortly after the break in his (first) engagement to Felice. The theme of Kafka striving for textual illumination but veering towards death has been discussed by Corngold (2004) who argued that a diary entry, written eight months before Kafka met Felice, highlights Kafka's bodily experience as a writer: I have now... a great yearning to write all my anxiety entirely out of me, write it into the depths of the paper just as it comes out of the depths of me, or write it down in such a way that I could draw what I had written into me completely. (December 8, 1911) Kafka expelled the anxiety and drew it back into his body that was consumed by the text: it seemed to have the potential to exhaust or mortally damage his body.…”
Section: The Nature Of Kafka's Experiencingmentioning
confidence: 99%
“…But the reference to the intriguing and highly influential work of Deleuze and Guattari only serves to make such a confusion worse. This is because it keeps what one could term a flaw in their argument – the somewhat too free play with the historical circumstances of Kafka 11 – without any of the brilliance. Kafka is precisely an example of the difficulty of organizing literatures according to simple ‘national’ categories.…”
mentioning
confidence: 99%