any people and institutions have contributed to the publication of this book. The travel, research, and writing involved would not have been possible without the generous financial assistance I received from Trinity University. In 2011, this assistance took the form of a paid leave and the funding of a trip to study the role of song in social justice and human rights movements in Chile in the 1960s, 1970s, and 1980s. In 2014, the Carlos and Malú Álvarez Fund and the Martha, David, and Bagby Lennox Foundation provided grants to Trinity University's Mexico, the Americas, and Spain (MAS) program that enabled the organization of a multievent symposium and performance series titled Social Justice, Human Rights, and Song on the World Historical Stage: Chile Canta al Mundo, which brought together scholars, activists, and musicians to discuss the legacy of the nueva canción movement throughout the Americas (see www.trinity .edu/chile-sings). The presentations, performances, and discussions that took place during this series, which was hosted by Trinity University and the Esperanza Peace and Justice Center in San Antonio, Texas, contributed significantly to my understanding of how "I Shall Not Be Moved" became a social movement anthem in Spanish as well as English. x \ Acknowledgments As I conducted my research for the book, the staff of a number of other institutions provided invaluable assistance, including Graciela Sánchez y la buena gente of the Esperanza Peace