La véritable catharsis aristotélicienne

Marx, William

doi:10.3917/poeti.166.0131

Cited by 8 publications

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“…C'est la trace du rêveur élaborée dans la consistance des mots par le poète et celle des éléments visuels par l'artiste (LEMON-CHOIS, 2002). Quel que soit le terme utilisé, il est difficile d'en saisir les contours, la littérature sur les arts et la poésie est prolifique sur le sujet sans jamais parvenir à être exhaustive (MARX, 2011). Les activités pratiques artistiques se différencient des autres pratiques par leur dimension artistique.…”

Section: Introductionunclassified

Artistic practical activities in art education

Lemonchois

2021

Palíndromo

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Everyone agrees to put practical activities at the heart of artistic teaching. Whether or not there isan “artistic”, “aesthetic” or “poetic” dimension is a question that haunts these teachings. How can we be sure that artistic dimension is present, in particular during practical workshop activities? Since the early of the 19th century, democratization of arts has been the main aim of practicalartistic education, the artistic dimension is ensured by the development of creative imaginationand its support from artistic circles, just like our contemporary teachings. This article proposes to describe the place given to the artistic dimension in practical activities, by French and Quebec plastic arts programs at elementary and secondary levels and more generally in the teachingof drawing in the 19th and 20th centuries. Noting the limits of French-speaking practices and research with regard to practical artistic activities, we conclude with the presentation of research examples to develop a didactic of practical artistic activities, which seems essential to us, to whatwe could call an aesthetic experiential culture.

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Section: Introductionunclassified

Artistic practical activities in art education

Lemonchois

2021

Palíndromo

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Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’Tragédie, Femen's Sextremist Protests, and Harrell'sAntigone Sr.

Briand¹

2016

CORD

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In Athenian classical theater (especially in Dionysian choruses; the tragic in Aeschylus, Sophocles, or Euripides; the satyric in Euripides’ Cyclops; or the carnivalesque in Aristophanes), aesthetics, ethics, and politics intermingle in kinesthetic, musical, and textual pragmatics. This paper questions the reference to classical performativity (especially the gendered bodies it stages) in contemporary performances, from Olivier Dubois’ Tragédie (2012) (and the committed nudity it enacts) to Femen's sextremist protests and Trajal Harrell's Antigone Sr. / Paris is Burning at The Judson Church (L) (2012). These issues are central to the philosophy of performance, from F. Nietzsche's The Birth of Tragedy (1872) to J. Butler's and A. Athanassiou's Dispossession: The Performative in the Political (2013).

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Catharsis : tentative de légitimer la fiction théâtrale au XVIIe siècle en France

Šuman¹

2018

Auc Philologica

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The article deals with French views on tragic emotions and their involvement as a means of katharsis as described by Aristotle in the chapter 6 of his Poetics. Although the 17th-century French theorists and dramatists attempt to adopt Aristotle 's principles, at the same time they progressively move aside from the fearful events which are essential in Aristotle 's definition of tragic experience. Pierre Corneille openly admits that he finds it hard to acquiesce to the very speculative nature of Aristotle 's reasoning and hence he pleads for the cathartic value of "admiration". His arguments serve not only the defence of his personal conception of tragic art but, more importantly perhaps, they enable him to confound the rigorous detractors of theatrical fiction.

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La véritable catharsis aristotélicienne

Cited by 8 publications

References 0 publications

Artistic practical activities in art education

Artistic practical activities in art education

Paradoxes of Spectacular/Political Performativity: Dionysian Dance in Classical Greek Theater, Dubois’Tragédie, Femen's Sextremist Protests, and Harrell'sAntigone Sr.

Catharsis : tentative de légitimer la fiction théâtrale au XVIIe siècle en France

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