2021
DOI: 10.17398/1988-8430.33.185
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La poesía: educadora de emociones

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Cited by 5 publications
(3 citation statements)
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“…Despite not being among their main interests, poetry continues to appeal more to girls (Neira, 2016), which is evidence that gender stereotypes, in this case linked to the sentimental, emerge in initial reading preferences (Merisuo-Storm, 2006). Hence the relevance of incorporating poetry into the classroom, so that its word feels closer, its aesthetic value is appreciated and a greater predisposition to read it is developed (Agrelo-Costas & Piñeiro-Casal, 2021).…”
Section: Resultsmentioning
confidence: 99%
“…Despite not being among their main interests, poetry continues to appeal more to girls (Neira, 2016), which is evidence that gender stereotypes, in this case linked to the sentimental, emerge in initial reading preferences (Merisuo-Storm, 2006). Hence the relevance of incorporating poetry into the classroom, so that its word feels closer, its aesthetic value is appreciated and a greater predisposition to read it is developed (Agrelo-Costas & Piñeiro-Casal, 2021).…”
Section: Resultsmentioning
confidence: 99%
“…But in the face of so much nonsense against the humanities, language and literature teachers must lead the resistance, and from a position as critical intellectuals [59] work on reading, writing and oral language as indispensable pillars of the school. And this requires perseverance, because being a good reader requires time and effort, but the benefits are high: good readers handle tools that improve their reading comprehension, tools and strategies that have been acquired at school [60], which is why proper training in language and literature didactics and a serious commitment to working on them at school on the part of teachers are so relevant, especially when their benefits have been demonstrated, both on a literary level and on an emotional level [61].…”
Section: Discussionmentioning
confidence: 99%
“…Esto supone un lugar muy secundario para la experiencia de cada sujeto lector con el poema, pues predominan prácticas que dejan "fuera del aula la exploración de sentido anclada en las vi-vencias individuales de los poemas" (Cavalli, 2015, p. 455). Si bien investigaciones recientes (Agrelo-Costas y Piñeiro-Casal, 2021;Zaldívar, 2020) están explorando el potencial de esa vivencia y de la dimensión emocional de cada lector, mostrando cómo esto promueve importantes mejoras en la actitud del alumnado hacia lo poético, igualmente esto aparece como una de las principales líneas de mejora para la enseñanza de la poesía.…”
Section: Introducción: El Profesorado Y La Educación Poéticaunclassified