Abstract:Ce livre ne s’intéresse – en aucune manière – à ce que Foucault a dit. Et son auteur n’essaie ni de déceler la vérité de l’œuvre, ni d’en reconstruire la systématicité secrète. Il aborde les ouvrages foucaldiens comme des objets fabriqués selon des règles, poursuivant des fins : il veut montrer ce que Foucault a fait de la philosophie, de l’histoire, de la science. En partant du fil conducteur du rapport non exclusif entre vie et concept, rapport que l’on retrouve chez Canguilhem, il s’agit ainsi de revenir au… Show more
“…The genealogy of Foucault is subdivided into two stages, which correspond to cycles of power and the ethical subject (Foucault, 2006(Foucault, , 2012a(Foucault, , 2012b. Thus, the Foucauldian method, in its entirety, can be understood as archeogenealogy (Paltrinieri, 2012). The Foucauldian corpus was used here as a source of systematization and identification of analytical categories, in order to make them operational.…”
Section: Methodological Proceduresmentioning
confidence: 99%
“…Thus, the genealogy-of-power step maps relations that are constituted amidst discursive and non-discursive practices, and reveal power diagrams. Such diagrams are grounded on power operators, which can be identified through discursive formations, based on some constitutive criteria (Foucault, 2006) (Paltrinieri, 2012) and make it possible to identify practices of the self. Thus, the genealogy-of-the-subject step reveals subject-forms by covering the relationships of self, non-discursive and discursive practices.…”
Section: Methodological Proceduresmentioning
confidence: 99%
“…Knowledge grounds any possible power; it is based on discursive arrangements produced in certain social trajectories and gains the status of truth when it is (re)signified by subjects who recognize themselves as such (Foucault, 1988a). According to Paltrinieri (2012), discourses have a relational nature that does not require the intention to exist (i.e., cogito), regardless of any creating activity; truths derive from verifications made by subjects.…”
Section: Understanding Consumption As An Arena For Political Identity...mentioning
Purpose -The aim of the current study is to investigate how fans behave towards the greater introduction of political identities in pop culture.Theoretical framework -The idea of consumption as an identity-building instrument, the growing discussions on political identities and the emergence of the entertainment industry as an arena for consumer resistance are associated with each other.Design/methodology/approach -Foucauldian archeogenealogy was applied to the online forum called TheForce.net.Findings -Militancy and sympathy were identified as moral agencies of consumers. Despite their uniqueness, they show commitment to freedom and indicate how fans see the representativeness of political identities as a continuous struggle visà-vis dominant ideological forces.Practical & social implications of research -Foucauldian analysis and interpretation allow us to discuss the ethical articulation produced by fans as a social commitment. This is a fan culture response to the recent inclusion of representativeness in the entertainment industry. Thus, the current research provides the basis to think about the applications and potential consolidation of ethical productions in CCT investigations.Originality/Value -Foucault's theory about the constitution of the moral subject was adopted here to analyze consumption as a practice aligned to the growing demand for representativeness in the entertainment industry.
“…The genealogy of Foucault is subdivided into two stages, which correspond to cycles of power and the ethical subject (Foucault, 2006(Foucault, , 2012a(Foucault, , 2012b. Thus, the Foucauldian method, in its entirety, can be understood as archeogenealogy (Paltrinieri, 2012). The Foucauldian corpus was used here as a source of systematization and identification of analytical categories, in order to make them operational.…”
Section: Methodological Proceduresmentioning
confidence: 99%
“…Thus, the genealogy-of-power step maps relations that are constituted amidst discursive and non-discursive practices, and reveal power diagrams. Such diagrams are grounded on power operators, which can be identified through discursive formations, based on some constitutive criteria (Foucault, 2006) (Paltrinieri, 2012) and make it possible to identify practices of the self. Thus, the genealogy-of-the-subject step reveals subject-forms by covering the relationships of self, non-discursive and discursive practices.…”
Section: Methodological Proceduresmentioning
confidence: 99%
“…Knowledge grounds any possible power; it is based on discursive arrangements produced in certain social trajectories and gains the status of truth when it is (re)signified by subjects who recognize themselves as such (Foucault, 1988a). According to Paltrinieri (2012), discourses have a relational nature that does not require the intention to exist (i.e., cogito), regardless of any creating activity; truths derive from verifications made by subjects.…”
Section: Understanding Consumption As An Arena For Political Identity...mentioning
Purpose -The aim of the current study is to investigate how fans behave towards the greater introduction of political identities in pop culture.Theoretical framework -The idea of consumption as an identity-building instrument, the growing discussions on political identities and the emergence of the entertainment industry as an arena for consumer resistance are associated with each other.Design/methodology/approach -Foucauldian archeogenealogy was applied to the online forum called TheForce.net.Findings -Militancy and sympathy were identified as moral agencies of consumers. Despite their uniqueness, they show commitment to freedom and indicate how fans see the representativeness of political identities as a continuous struggle visà-vis dominant ideological forces.Practical & social implications of research -Foucauldian analysis and interpretation allow us to discuss the ethical articulation produced by fans as a social commitment. This is a fan culture response to the recent inclusion of representativeness in the entertainment industry. Thus, the current research provides the basis to think about the applications and potential consolidation of ethical productions in CCT investigations.Originality/Value -Foucault's theory about the constitution of the moral subject was adopted here to analyze consumption as a practice aligned to the growing demand for representativeness in the entertainment industry.
“…Assim, por um lado Foucault desenvolveu sua arqueologia do saber para investigar as práticas discursivas, por outro, desenvolveu genealogias em seus estudos avançados sobre o poder e sobre o sujeito -cada fase complementando à anterior (Deleuze, 1988;Denegri-Knott & Tadajewski, 2017). O método de Foucault recebeu o nome de Arqueogenealogia (Paltrinieri, 2012).…”
Section: Procedimentos Metodológicosunclassified
“…Da mesma forma, ao ampliar o escopo de suas investigações para analisar a constituição do sujeito, Foucault identificou as "práticas do self", que permitem produzir subjetividades a partir da combinação entre práticas discursivas e não discursivas (Paltrinieri, 2012). Essa etapa metodológica foi apresentada por Foucault (2012) como genealogia do sujeito, que utiliza diagramas de poder para revelar formas-sujeito baseadas em agentes morais que podem ser identificados combinando alguns critérios: o modo como os sujeitos equilibram suas vontades e moralidades observadas em o contexto em que vivem é representado por substâncias éticas; a forma como os sujeitos tentam se adaptar às diferentes condutas revela modos de sujeição; as ações que os sujeitos realizam sobre si mesmos para conhecer a própria subjetividade correspondem à elaboração de um trabalho ético; e, finalmente, as associações estabelecidas entre as verdades interiores e exteriores dos sujeitos, que refletem a sua vontade e as moralidades do seu contexto social, dizem respeito à teleologia do sujeito moral.…”
RESUMO Este estudo utiliza a teoria da subjetividade de Foucault para compreender melhor como os antifãs reagem à inserção de identidades políticas nas narrativas dos produtos midiáticos, levando em consideração a crescente inserção da representatividade na indústria do entretenimento e o fato de que as comunidades de fãs são um ambiente propício para desentendimentos e resistências. Para tanto, avaliamos como os antifãs de Star Wars reagiram à introdução de personagens representativos de identidades políticas na nova fase da saga. O método arqueogenealógico de Foucault foi utilizado para analisar as mensagens postadas no maior fórum de fãs da franquia entre 2014 e 2020. Os resultados apontaram para duas agências-morais descritivas da intolerância e da amoralidade, que convergem para uma forma-sujeito que busca uma “normalidade”. Esses achados indicaram um comportamento segregacionista, que perpetua um determinado status quo social e mobiliza desejos de impô-lo, fato que caracteriza o que Foucault definiu como vida fascista.
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