This paper develops a new perspective on human-owl relations in the Pavlovian, a regional group of the early Gravettian of East-Central Europe. It argues that the regular representation of owls in figurative art and ornamentation in this context must be understood as a result of unique conditions of encounter and interaction emerging at the intersection of Southern Moravian early MIS 2-environments, Pavlovian sociocultural practice, and owl presence and behaviour. It is shown that the diverse and tree-rich environments of East-Central Europe, and the Pavlovian Hill region in particular, provided highly favourable living conditions for a rich owl community. In conjunction with Pavlovian settlement behaviour which produced large-scale aggregation sites and seems to have been associated with a more sedentary mode of life, humans were thus particularly exposed to owls that likely dominated the nightly soundscapes of the region. This coincides with the fact that many of the present owl species are resident birds and aligns with compelling evidence for a pronounced 'sense of place' in the region's early Gravettian. The paper therefore suggests considering the saliency of negotiating the owl theme in the Pavlovian as an expression of the general eco-cultural entanglement of humans and owls in this setting. I argue that human-owl relations in the Pavlovian might have ultimately been fashioned by a shared sense of place.
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