Kalmyk Art: Local Style of the Buddhist Iconografy

Abstract

The materials on the History of Buddhism in Kalmykia expand the research into specifically Buddhist art represented by the work of author S.G. Batyreva. There is distinctive spirituality with its own nature in the canonic figures dating back to Tibetan artistic tradition. Local style of the old-Kalmyk art is manifested both in individual formal details of the image in the figures overall aesthetic interpretation expressing the groups' worldview. The canonization of folklore characters followed by the introduction of brands, symbolic attributes and the appearance of emphasized symmetrical frontal composition is particularly noticeable in the initial stage of the assimilation of Buddhism. Generally in Kalmyk tradition laconic, poorly developed (in terms of the plot) symmetric scenes prevail, expressing tendency to the emphasized personification of the main character, which is the icon's center and the object of worship for believers.

The Effect of Needle Diameter on Optical Properties and Morphological Structure of La₂O₃- PVA Phosphor Nanofibers Prepared by Electrospinning Method

“…5b). It is known that, under ordinary conditions, lanthanum oxide, La2O3, is a good dielectric [29,31] with a bandgap of 5.4 eV [29,30,31]. The excitation spectrum of the samples was recorded by monitoring the emission transition of La 3+ at 700 nm and is shown in Fig.…”