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Topic and topicalization are key notions to understand processes of syntactic and prosodic readjustments in Romance. More specifically, topicalization refers to the syntactic mechanisms and constructions available in a language to mark an expression as the topic of the sentence. Despite the lack of a uniform definition of topic, often based on the notions of aboutness or givenness, significant advances have been made in Romance linguistics since the 1990s, yielding a better understanding of the topicalization constructions, their properties, and their grammatical correlates. Prosodically, topics are generally described as being contained in independent intonational phrases. The syntactic and pragmatic characteristics of a specific topicalization construction, by contrast, depend both on the form of resumption of the dislocated topic within the clause and on the types of topic (aboutness, given, and contrastive topics). We can thus distinguish between hanging topic (left dislocation) (HTLD) and clitic left-dislocation (ClLD) for sentence-initial topics, and clitic right-dislocation (ClRD) for sentence-final dislocated constituents. These topicalization constructions are available in most Romance languages, although variation may affect the type and the obligatory presence of the resumptive element. Scholars working on topic and topicalization in the Romance languages have also addressed controversial issues such as the relation between topics and subjects, both grammatical (nominative) subjects and ‘oblique’ subjects such as dative experiencers and locative expressions. Moreover, topicalization has been discussed for medieval Romance, in conjunction with its alleged V2 syntactic status. Some topicalization constructions such as subject inversion, especially in the non-null subject Romance languages, and Resumptive Preposing may indeed be viewed as potential residues of medieval V2 property in contemporary Romance.
Topic and topicalization are key notions to understand processes of syntactic and prosodic readjustments in Romance. More specifically, topicalization refers to the syntactic mechanisms and constructions available in a language to mark an expression as the topic of the sentence. Despite the lack of a uniform definition of topic, often based on the notions of aboutness or givenness, significant advances have been made in Romance linguistics since the 1990s, yielding a better understanding of the topicalization constructions, their properties, and their grammatical correlates. Prosodically, topics are generally described as being contained in independent intonational phrases. The syntactic and pragmatic characteristics of a specific topicalization construction, by contrast, depend both on the form of resumption of the dislocated topic within the clause and on the types of topic (aboutness, given, and contrastive topics). We can thus distinguish between hanging topic (left dislocation) (HTLD) and clitic left-dislocation (ClLD) for sentence-initial topics, and clitic right-dislocation (ClRD) for sentence-final dislocated constituents. These topicalization constructions are available in most Romance languages, although variation may affect the type and the obligatory presence of the resumptive element. Scholars working on topic and topicalization in the Romance languages have also addressed controversial issues such as the relation between topics and subjects, both grammatical (nominative) subjects and ‘oblique’ subjects such as dative experiencers and locative expressions. Moreover, topicalization has been discussed for medieval Romance, in conjunction with its alleged V2 syntactic status. Some topicalization constructions such as subject inversion, especially in the non-null subject Romance languages, and Resumptive Preposing may indeed be viewed as potential residues of medieval V2 property in contemporary Romance.
In this article we undertake a systematic study of the Itinerarium Egeriae, one of the best known late Latin texts, to determine the proper characterization of the word order of the text and to consider in particular whether the Itinerarium Egeriae can legitimately be considered to present a verb-second (V2) grammar on the par with the well-studied grammars of medieval Romance. The results, based on detailed quantitative and qualitative analyses of the text and, where relevant, appropriate comparisons with medieval Romance, confirm the innovative nature of the syntax of the Itinerarium Egeriae whose word order patterns are shown to follow an asymmetric V2 constraint. The article therefore offers valuable original evidence for the often claimed, but hitherto unproven, hypothesis that the V2 syntax of medieval Romance represents the continuation of a parametric setting already well established in the grammar of late Latin. En aquest article duem a terme un estudi sistemàtic de l'Itinerarium Egeriae, un dels textos del llatí tardà més ben coneguts, per tal de determinar la caracterització adequada de l'ordre de mots del text i veure, en particular, si l'Itinerarium Egeriae es pot considerar legítimament que presenta una gramàtica de verb segon (V2) de manera semblant a les gramàtiques ben estudiades del romànic medieval. Els resultats, basats en detallades anàlisis quantitatives i qualitatives del text i, on és pertinent, en comparacions adequades amb el romànic medieval, confirmen la naturalesa innovadora de la sintaxi de l'Itinerarium Egeriae, els patrons d'ordre de mots de la qual es demostra que segueixen una restricció asimètrica de V2. L'article, per tant, ofereix evidència original i valuosa a favor de la hipòtesi sovint proposada però fins ara no demostrada que la sintaxi V2 del romànic medieval representa la continuació d'una fixació paramètrica ja ben establerta en la gramàtica del llatí tardà.Paraules clau: Verb segon (V2); llatí tardà; ordre de paraules; perifèria esquerra; romànic medieval; Tobler-Mussafia * I thank two anonymous reviewers and Jim Adams, Paola Benincà, Theresa Biberauer, Federica Cognola and Nigel Vincent for their valuable comments and observations on a previous version of this article.
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