2018
DOI: 10.1002/hpja.219
|View full text |Cite
|
Sign up to set email alerts
|

“It made me feel Brazilian!”: Addressing prejudice through Capoeira classes in a school in Western Australia

Abstract: Issue addressed Social inclusion is important for mental health, and schools are important settings for creating positive attitudes against prejudice. Capoeira is a Brazilian traditional culture that is a mixture of dance, martial arts and games, and has many educational possibilities. Since it arose from and helped people rise above black oppression, the purpose of the project was introducing the content of capoeira to primary school students with the aim of promoting of mental health and preventing prejudice… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

0
4
0

Year Published

2021
2021
2024
2024

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 7 publications
(4 citation statements)
references
References 7 publications
(22 reference statements)
0
4
0
Order By: Relevance
“…Seven studies explore music education and intercultural‐related concepts, within the contexts of primary and/or secondary education. In particular, two studies focus on primary education (Palmić, 2013; Radicchi et al, 2019), two on secondary education (Begić et al, 2017; Crawford, 2020), while three address both contexts (Côrte‐Real, 2011; Joseph, 2005; Mellizo, 2019). Radicchi et al (2019), for example, explored the Brazilian art‐form, capoeira , as a vehicle for intercultural education with Year 5 and 6 classes (11‐ to 12‐year‐olds) in Australia.…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…Seven studies explore music education and intercultural‐related concepts, within the contexts of primary and/or secondary education. In particular, two studies focus on primary education (Palmić, 2013; Radicchi et al, 2019), two on secondary education (Begić et al, 2017; Crawford, 2020), while three address both contexts (Côrte‐Real, 2011; Joseph, 2005; Mellizo, 2019). Radicchi et al (2019), for example, explored the Brazilian art‐form, capoeira , as a vehicle for intercultural education with Year 5 and 6 classes (11‐ to 12‐year‐olds) in Australia.…”
Section: Resultsmentioning
confidence: 99%
“…In particular, two studies focus on primary education (Palmić, 2013; Radicchi et al, 2019), two on secondary education (Begić et al, 2017; Crawford, 2020), while three address both contexts (Côrte‐Real, 2011; Joseph, 2005; Mellizo, 2019). Radicchi et al (2019), for example, explored the Brazilian art‐form, capoeira , as a vehicle for intercultural education with Year 5 and 6 classes (11‐ to 12‐year‐olds) in Australia. Through observing five one‐hour capoeira classes, and distributing a questionnaire to participating students, they concluded that ‘the project promoted empathy and exposed students to experience of another culture, a short‐term effective intervention against prejudice and discrimination’ (p. 301).…”
Section: Resultsmentioning
confidence: 99%
“…Capoeira was originally created by African slaves to preserve their fighting skills. In the following years, it was considered a Brazilian martial art widely performed to percussion and chanting by various social groups in more than 150 countries across five continents, particularly in Brazil (Radicchi, Papertalk, & Thompson, 2019). In 2014, the United Nations Educational, Scientific and Cultural Organization recognized capoeira as an intangible cultural heritage of humanity (UNESCO, 2014).…”
Section: Introductionmentioning
confidence: 99%
“…Capoeira is an Afro-Brazilian art form that can be conceptualized as a “blurred genre” (Downey, 2005, p. 490) that incorporates elements of non-formal PA, dance, martial arts, acrobatics, and games (Jordan et al, 2019; Levin, 2016; Radicchi et al, 2019). Physical techniques in capoeira training include dance-based footwork, acrobatic kicks, strikes, and feints; while musical techniques in capoeira include playing percussion instruments, clapping, and singing (Downey, 2005).…”
mentioning
confidence: 99%