2014
DOI: 10.1007/s13164-014-0210-7
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Introduction: Varieties of Iconicity

Abstract: This introduction aims to familiarize readers with basic dimensions of variation among pictorial and diagrammatic representations, as we understand them, in order to serve as a backdrop to the articles in this volume. Instead of trying to canvas the vast range of representational kinds, we focus on a few important axes of difference, and a small handful of illustrative examples. We begin in Section 1 with background: the distinction between pictures and diagrams, the concept of systems of representation, and t… Show more

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Cited by 36 publications
(22 citation statements)
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“…On one hand, context determines an operative system of depiction, the pictorial analogue of a language. Systems of depiction play an essential role in associating the geometrical and chromatic surface features of pictures with elements of attributive content (Giardino & Greenberg 2015). 6 On the other, following Kaplan (1968: 197-198) and Lopes (1996: Chapter 5), I assume that a picture's singular content is largely a function of artist intentions, meditated by the causal context in which the picture was created.…”
Section: Picture Ementioning
confidence: 99%
See 1 more Smart Citation
“…On one hand, context determines an operative system of depiction, the pictorial analogue of a language. Systems of depiction play an essential role in associating the geometrical and chromatic surface features of pictures with elements of attributive content (Giardino & Greenberg 2015). 6 On the other, following Kaplan (1968: 197-198) and Lopes (1996: Chapter 5), I assume that a picture's singular content is largely a function of artist intentions, meditated by the causal context in which the picture was created.…”
Section: Picture Ementioning
confidence: 99%
“…But the general idea is easily illustrated by the case of Picture E: E's target is culled from the actual world; the 20. The definition of geometrical projection at work here will vary by system of depiction; some systems rely on linear perspective projection, others on isometric projection, and so on (Greenberg 2013;Giardino & Greenberg 2015). As a consequence, what counts as visible will also vary with system of depiction.…”
Section: Depiction Of : Descriptivist Strategymentioning
confidence: 99%
“… 8. On varieties of iconicity more in general, see also Woods (2010: 86ff), Giardino and Greenberg (2015). …”
mentioning
confidence: 99%
“…In order to explain the effectiveness of diagrammatic representations in comparison with sentential ones, they evaluated notations in terms of "informational efficiency" and "computational efficiency." The third criterion can be linked to the more general one of "naturalness," as defined in Giardino & Greenberg (2015). According to the authors, a system 16 Dutilth-Novaes (2012, p. 12) distinguishes three ways in which we generally characterize formal languages as abstracting from content, one of which is the formal as de-semantification (the other two being "formal as topic-neutrality" and "formal as abstraction from intentional content").…”
mentioning
confidence: 99%
“…In order to explain the effectiveness of diagrammatic representations in comparison with sentential ones, they evaluated notations in terms of "informational efficiency" and "computational efficiency." The third criterion can be linked to the more general one of "naturalness," as defined in Giardino & Greenberg (2015). According to the authors, a system of representation "is more or less natural to the degree to which human nature-including relatively universal aspects of cognition, physiology, social behaviour, and environmental interaction-rather than enculturation, makes that system easy to internalize and use" (Giardino & Greenberg, 2015, p. 8).…”
mentioning
confidence: 99%