Oxford Handbooks Online 2011
DOI: 10.1093/oxfordhb/9780199756261.013.0001
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Introduction: Confluence of Consciousness in Music, Medicine, and Culture

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“…A book chapter of the neurochemical functions of music (Koshimori, 2019) indicates that music impacts multiple neurotransmitters (e.g., dopamine, serotonin, norepinephrine, and acetylcholine) and neuropeptides (e.g., beta-endorphin, oxytocin, and arginine vasopressin). A recent systematic review provided evidence that music interventions have effects on both physiological stress-induced biomarkers and self-reported psychological stress responses (Wong et al, 2021).…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…A book chapter of the neurochemical functions of music (Koshimori, 2019) indicates that music impacts multiple neurotransmitters (e.g., dopamine, serotonin, norepinephrine, and acetylcholine) and neuropeptides (e.g., beta-endorphin, oxytocin, and arginine vasopressin). A recent systematic review provided evidence that music interventions have effects on both physiological stress-induced biomarkers and self-reported psychological stress responses (Wong et al, 2021).…”
Section: Resultsmentioning
confidence: 99%
“…It is not within the scope of this review to provide an exhaustive account of such history. Rather, for the purposes of this review, we used a meta-narrative approach (Wong et al, 2013) with the understanding that there are entire subdisciplines studying relationships between music and medicine (e.g., medical ethnomusicology; Koen et al, 2008). Longitudinal research in given patient populations has shown marked effects of the application of music to reduce symptoms of depression and anxiety (Aalbers et al, 2017;Ribeiro et al, 2018), high blood pressure (Im-Oun et al, 2018), pain (Johnson & Elkins, 2020), mental illness (Golden et al, 2021), as well as increased positive outcomes of good health (Fancourt & Finn, 2019).…”
Section: Introductionmentioning
confidence: 99%
“…To better understand this, discussions touched on the importance of a historical understanding of musical care. This included attention to the longer histories of musical care practices (Bohlman, 2000;Brust, 2001;Gouk, 2017a;Horden, 2020;Kennaway, 2014;Koen et al, 2008;Meymandi, 2009), the development of interest in musical care practices over the past several decades, and the way in which musical care may relate to historical injustice and structural inequalities. Discussions also considered how musical care practices sit within broader, changing political economies of care and how divisions between areas of practice may reflect processes of professionalization and commoditization of culture.…”
Section: Cultural Context In Understanding Musical Carementioning
confidence: 99%