“…The advent of visual culture has flattened some of these extremes and introduced new categories, for example postmodern versus modern. 34 Koons and Rosenblum (1992), Adamson and Goddard (2012). 35 Some of these thoughts are taken from the original concept of dis-positiv from 1998, which incorporated hyperbolism in order to take intellectual command over a timely topic that needed to stand its ground as to entice the curators and philosophers to participate in their display.…”