Ingeborg Bachmann. Das Werk. Von den fruhesten Gedichten bis zum "Todesarten" -Zyklus

Höller, Hans

doi:10.2307/406385

The German Quarterly

1990

DOI: 10.2307/406385

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Ingeborg Bachmann. Das Werk. Von den fruhesten Gedichten bis zum "Todesarten" -Zyklus

Hans Höller¹

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Cited by 7 publications

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Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina

Révész¹

2013

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The article takes issue with Sara Lennox’s reading of the significance of the famous film noir classic The Third Man in Bachmann’s 1971 novel Malina . While Lennox uses the film’s inscription into Malina to prove her overarching thesis that the novel must be understood—like the film—as historically specific to the Cold War era, I argue that it is a much broader, metahistorical level that Bachmann emphasizes by naming her much-discussed dream chapter “Der dritte Mann” after the film. It is, in other words, the sublation of the film’s historical specificity into a type of collective unconscious, resulting in a much more universally fluid view of the how fascist tendencies permeate society and have continued into the postwar era.

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Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina

Révész¹

2013

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Die Zikadenmetapher in Ingeborg Bachmanns Die Zikaden : Lebensflucht und Lebensmut

Vanhaegendoren¹

2006

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The Feminist Reception of Ingeborg Bachmann

Lennox¹

1993

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This essay examines the feminist reception of Bachmann's writing from the publication of Malina (1971) to the present. I argue that feminists' enthusiasm for Bachmann derived from the cultural climate out of which West German feminism emerged and produced readings that corresponded to the movement's theoretical assumptions. By the mid-eighties a feminist approach to Bachmann indebted to radical feminism and poststructuralism had gained dominance over Bachmann studies. Later feminists were more uncertain about how to read Bachmann. Some retained a poststructuralist method, others ignored gender, and a few devised new methods that move beyond the limitations of eighties feminism. (S.L.)

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Ingeborg Bachmann. Das Werk. Von den fruhesten Gedichten bis zum "Todesarten" -Zyklus

Cited by 7 publications

References 0 publications

Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina

Viennese Noir: The Third Man in Ingeborg Bachmann’s Malina

Die Zikadenmetapher in Ingeborg Bachmanns Die Zikaden : Lebensflucht und Lebensmut

The Feminist Reception of Ingeborg Bachmann

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