2016
DOI: 10.14506/ca31.2.06
|View full text |Cite
|
Sign up to set email alerts
|

Incidental Activism: Graffiti and Political Possibility in Athens, Greece

Abstract: Based on field research in Athens, Greece, this essay considers graffiti as a mode of political response to the material and symbolic violences of neoliberal governmentality. In 2010, the Greek state declared sovereign debt crisis and began to implement an aggressive austerity program in exchange for economic aid from a troika of international lenders. This resulted in the dismantling of public services, tax increases, salary and pension reductions, layoffs, and, generally, the impoverishment of the middle and… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
4
0
1

Year Published

2019
2019
2024
2024

Publication Types

Select...
7
2
1

Relationship

0
10

Authors

Journals

citations
Cited by 29 publications
(5 citation statements)
references
References 16 publications
0
4
0
1
Order By: Relevance
“…A particularly rich literature exists on the role of graffiti in the context of the economic crisis in Greece. Alexandrakis (2016) argues that political graffiti lessens the capacity of the state to manufacture consent for austerity measures. Likewise, Zaimakis (2015) contends that the production of graffiti amidst the dystopia of crisis and austerity creates counter-hegemonic spaces of representation that are physically expressed across space, posing a challenge to the enforcement and maintenance of social order and control.…”
Section: Literature Reviewmentioning
confidence: 99%
“…A particularly rich literature exists on the role of graffiti in the context of the economic crisis in Greece. Alexandrakis (2016) argues that political graffiti lessens the capacity of the state to manufacture consent for austerity measures. Likewise, Zaimakis (2015) contends that the production of graffiti amidst the dystopia of crisis and austerity creates counter-hegemonic spaces of representation that are physically expressed across space, posing a challenge to the enforcement and maintenance of social order and control.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Lebanon's economic crisis deepened in 2019. As in Greece in the 2010s (Alexandrakis, 2016, p. 276), increased precaritization generated new forms of mobilization and politicization rather than depleting political agency. In October 2019 new tax increases triggered the largest mass protests in Lebanon since 2006, as over 1 million Lebanese from diverse sectarian and socioeconomic backgrounds took to the streets for several months and chanted against corruption and sectarian leaders.…”
Section: Conclusion: Political Possibilities and Their Limitsmentioning
confidence: 99%
“…In disrupting the consensus of the sensuous, art can create a space for politics where the otherwise marginalized can enunciate (141–42). Various scholars, directly or indirectly and including in North Africa (Laachir 2016), have built upon Rancière's thesis, showing how in systems of governance that police the sensuous, artistic practices of all types can effectively include marginalized perspectives in political discourse (Khatib 2012; Lee 2013; Alexandrakis 2016; Winegar 2016; Riskedahl 2017).…”
Section: Rethinking the Politics Of Art And The “Oriental City”mentioning
confidence: 99%