2015
DOI: 10.1080/17430437.2015.1073946
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‘It has really amazed me what my body can now do’: boundary work and the construction of a body-positive dance community

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Cited by 7 publications
(7 citation statements)
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“…Thus, appreciative inquiry proved useful when exploring teachers' and coaches' pedagogical experiences. Hill et al (2015) articulated similar benefits when using appreciative inquiry.…”
Section: Appreciative Inquiry In Pespmentioning
confidence: 92%
See 1 more Smart Citation
“…Thus, appreciative inquiry proved useful when exploring teachers' and coaches' pedagogical experiences. Hill et al (2015) articulated similar benefits when using appreciative inquiry.…”
Section: Appreciative Inquiry In Pespmentioning
confidence: 92%
“…Appreciative inquiry has been used to in explore areas such as student disengagement (Gray et al, 2019), coaches' practices (Pill, 2015) and embodiment (Hill et al, 2015). The word "appreciate" in appreciative inquiry is seen as 'valuing; recognising the best in people and in organisations' (Cooperrider and Whitney, 2005, p.7).…”
Section: Introductionmentioning
confidence: 99%
“…Building upon the emergent work of Gray, Treacy and Hall (2017), Pill (2015) and Hill et al (2015), our application of appreciative inquiry uses a '4-D' (discovery, dream, design and destiny) cycle (Cooperrider and Whitney's 2001):…”
Section: Appreciative Inquirymentioning
confidence: 99%
“…Appreciative interviewing forms the basis of the discovery phase and is often the impetus for further inquiry. Therefore, while appreciative inquiry is not a technique or method, there are methods and questions which are more aligned with the approach (Hill et al 2015). The appreciative interview helps to bring to new data to light which highlight experience, values and strengths that can be collectively shared (Watkins and Cooperrider 2000).…”
Section: Appreciative Inquirymentioning
confidence: 99%
“…Some types of dance (when not practiced at a professional level) focus more on the functionality of the body (e.g., ballroom dance could be an example) than on appearance. The focus lies more on the capability of the body and physical competence and empowerment, sensing what one’s own body can do instead of how it looks and how it is perceived by others ( Tiggemann, 2015 ; Hill et al, 2016 ). Evidence for a relationship between ballroom dance and body image is however scarce.…”
Section: Introductionmentioning
confidence: 99%