“…From the vast body of work on soundscape, I suggest that three areas of research are helpful to explore the heterogeneous, crowd-sourced sound maps, including efforts of mapping sounds (e.g., Balaÿ, 2004), tracing the production of soundscapes (Thompson, 2004) and exploring the embodied experiences through a phenomenological approach (e.g. Revill, 2014). Using the CSM as an illustrative case, I will first discuss how particular technological and social conditions have shaped the construction of the CSM.…”