:<i>Beyond What Is Written: Erasmus and Beza as Conjectural Critics of the New Testament</i>

Krans, Jan

doi:10.2307/20479157

Cited by 2 publications

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“…The association of the name Salome with the figure of Herodias' daughter was also important in exegesis due to the role of Theodore de Beza (1519-1605), a French reformer and successor to John Calvin in Geneva, who promoted in the Geneva Bible of 1560 this nominative association. The Geneva Bible of 1560 was used by the early Calvinist reformers, in which extensive commentary and notes on passages from the Old and New Testaments appeared (Krans 2006). It is in one of these commentaries where extratextual assessments of the passage of Herodias and her daughter were expressed, indicating that Salome's dance brought inconveniences; even in a marginal note, it is mentioned as a wanton dance.…”

Section: Notesmentioning

confidence: 99%

Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth

Expósito de Vicente

2024

Religions

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The biblical account of Salome has been marked throughout history by two main themes: on the one hand, the princess’s dance in front of the main rulers of Galilee, and on the other hand, the request for the head of John the Baptist to King Herod, instigated by his mother Herodias. The reading of this passage has been strongly marked by the different patriarchal exegetical approaches, which have modulated the reception of both female characters being traceable through the visual and literary arts, to the point of taking on the concept of femme fatale. Really, in both moments Salome is the executor of the actions, not as a result of her capacity for agency, but due to her influenceable character. Through a critical–historical analysis of the biblical passage, Herodias and Salome emerge with characteristics quite different from what 19th-century Art History inherited. The methodology of feminist rhetorical criticism allows for an approach to the visual re-imaginings of this biblical passage that have shaped the iconography of these two figures. The field of visual arts, particularly the production of the late 19th and early 20th centuries, will be the great receptacle for the genesis of the fatality and assimilation of these female biblical figures.

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Section: Notesmentioning

confidence: 99%

Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth

Expósito de Vicente

2024

Religions

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The Text of Galatians and Its History

Carlson¹

2015

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Verö entlicht auf Englisch. Stephen C. Carlson untersucht den Brief des Paulus an die Galater und analysiert die Veränderung des Textes durch seine Überlieferung in verschiedenen Textversionen über die Jahrhunderte. Für diese Untersuchung sortierte er zweiundneunzig Textzeugen des Galaterbriefes und ordnete sie mit Hilfe eines computerimplementierten Algorithmus, der in der Computerbiologie verwendet und als Kladistik bekannt ist, in einem genealogischen Familienstammbaum, dem Stemma codicum , an. Mit diesem umfassenden Stammbaum erstellt er einen textkritischen Apparat für den Brief und die Eigenschaften der Textvariationen, die im Laufe der Überlieferungsgeschichte des Textes in über 250 maßgeblichen Lesevarianten aufgetreten sind, mit einem besonderen Augenmerk auf mögliche theologische Beweggründe. Dies ist die erste Untersuchung, die einen umfassenden Stammbaum für ein Buch des Neuen Testaments erstellt; ein Vorhaben, welches bisher als nicht machbar galt.

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:Beyond What Is Written: Erasmus and Beza as Conjectural Critics of the New Testament

Cited by 2 publications

References 0 publications

Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth

Visual Exegesis of Herodias and Salome from Feminist Rhetorical Criticism: The Construction of a Myth

The Text of Galatians and Its History

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