“…Many contemporary ethnomusicologists therefore 'stay at home and study their own community or travel within their own home country to research other communities in our increasingly multicultural society' (Barz & Timothy, 2008: 13). Contemporary fieldwork, moreover, can include virtual and digital 'fields' that reflect the greater range of digital experiences and interactions that mediate contemporary musicians' lives (see Cooley, Meizel, & Syed, 2008;Przybylski, 2020). Whether fieldwork takes place in person or 'virtually', it is primarily an 'experiential, dialogic, participatory way of knowing and being in the world generated [through] actively joining in a society's music cultural practices (including sounds, concepts, social interactions, materialsa society's total involvement with music' (Cooley & Barz, 2008: 16).…”