2021
DOI: 10.4135/9781071909676
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Hybrid Ethnography: Online, Offline, and In Between

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Cited by 50 publications
(25 citation statements)
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“…The hybrid ethnographic approach draws on digital and traditional ethnographic methods, collecting data primarily through participant observation and supplementing it with interviews and documents (Ens et al, 2021; Hine, 2015; Przybylski, 2020). Because of the experiential and immersive nature of hybrid ethnography (O'Reilly, 2012), no specific period or section of data from which the control themes exclusively develop can be identified.…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…The hybrid ethnographic approach draws on digital and traditional ethnographic methods, collecting data primarily through participant observation and supplementing it with interviews and documents (Ens et al, 2021; Hine, 2015; Przybylski, 2020). Because of the experiential and immersive nature of hybrid ethnography (O'Reilly, 2012), no specific period or section of data from which the control themes exclusively develop can be identified.…”
Section: Methodsmentioning
confidence: 99%
“…We approach this research goal through a hybrid ethnographic study conducted over a three‐year period (Hine, 2015; Przybylski, 2020). The study focuses on platform participants who use the social shopping platform Poshmark to sell used clothing and accessories.…”
Section: Introductionmentioning
confidence: 99%
“…In participant observation, the ethnographer's privileged position of deciding what to record, what and how to interpret what's going on, and what to share with others shifts to observant participation in hybrid ethnography (Przybylski, 2021) because online research participants decide what's important to record. Figure 2 highlights this difference.…”
Section: Relationality In the Blurred Boundaries Of Hybrid Ethnographymentioning
confidence: 99%
“…Many contemporary ethnomusicologists therefore 'stay at home and study their own community or travel within their own home country to research other communities in our increasingly multicultural society' (Barz & Timothy, 2008: 13). Contemporary fieldwork, moreover, can include virtual and digital 'fields' that reflect the greater range of digital experiences and interactions that mediate contemporary musicians' lives (see Cooley, Meizel, & Syed, 2008;Przybylski, 2020). Whether fieldwork takes place in person or 'virtually', it is primarily an 'experiential, dialogic, participatory way of knowing and being in the world generated [through] actively joining in a society's music cultural practices (including sounds, concepts, social interactions, materialsa society's total involvement with music' (Cooley & Barz, 2008: 16).…”
Section: "Defining" Ethnomusicologymentioning
confidence: 99%