Abstract:<p><strong>Abstract.</strong> In 2016, the Municipality of Bologna (Italy) has undertaken the restoration of one of the symbols of the entire city, the Fountain of Neptune, in evident state of degradation. The works have touched upon all the aspects of this complex object and the project has seen involved the Municipality and the University of Bologna, the Istituto Superiore per la Conservazione e il Restauro (ISCR) (Rome) and the Visual Computing Lab of the CNR – ISTI (Pisa), in a modern and… Show more
“…Because of the object complexity and the need for products at different scales of detail, the surveying activities required the use of different techniques in a strict integration: traditional 3D terrestrial topography by Total Station for the object georeferencing; time-of-flight laser scanning for acquiring a general point cloud of the monument and the neighbouring context ( Figures 4 and 5); high resolution 3D scanning (light structured projection) and digital photogrammetry for generating a very detailed photo-textured 3D model of the whole monument. The main surveying and data processing operations are described in detail in (Girelli et al, 2019). A first overall 3D point cloud of the entire fountain, complete with the underground, required 27 scans measured by the laser scanner Riegl VZ400 (declared precision 3 mm).…”
Section: D Acquisition and Modelling Of The Fountain Of Neptunementioning
Abstract. In the field of Cultural Heritage, the availability of a complete, detailed and photo-realistic 3D model of the objects of interest permits to describe all the aspects related to geometry, colours and materials, as well as the work techniques and the decay state. Besides, it offers multiple possibilities for the documentation, the analysis and the study.This paper describes the experience, carried out by the DICAM Geomatics group of the University of Bologna, about the 3D digitisation of two important statues of Neptune, by means of the integration of 3D image-based and range-based techniques. The two artworks, both realized by the sculptor Giambologna, are the big bronze statue of the god adorning the homonymous fountain, one of the most symbolic monuments of the city of Bologna, and its archetype, exhibited in one of the civic museums.The obtained 3D models, beyond the important function of documentation, knowledge and preservation of the two objects, also permit a comparison between the small archetype, conveniently scaled, and the big final statue. In the manuscript all the surveying and data processing operations concerning the objects digitisation are described. Particular attention is paid to the problems related to the scale of the archetype and the comparison between the two obtained 3D models, with the aim to evaluate and represent the occurred changes.
“…Because of the object complexity and the need for products at different scales of detail, the surveying activities required the use of different techniques in a strict integration: traditional 3D terrestrial topography by Total Station for the object georeferencing; time-of-flight laser scanning for acquiring a general point cloud of the monument and the neighbouring context ( Figures 4 and 5); high resolution 3D scanning (light structured projection) and digital photogrammetry for generating a very detailed photo-textured 3D model of the whole monument. The main surveying and data processing operations are described in detail in (Girelli et al, 2019). A first overall 3D point cloud of the entire fountain, complete with the underground, required 27 scans measured by the laser scanner Riegl VZ400 (declared precision 3 mm).…”
Section: D Acquisition and Modelling Of The Fountain Of Neptunementioning
Abstract. In the field of Cultural Heritage, the availability of a complete, detailed and photo-realistic 3D model of the objects of interest permits to describe all the aspects related to geometry, colours and materials, as well as the work techniques and the decay state. Besides, it offers multiple possibilities for the documentation, the analysis and the study.This paper describes the experience, carried out by the DICAM Geomatics group of the University of Bologna, about the 3D digitisation of two important statues of Neptune, by means of the integration of 3D image-based and range-based techniques. The two artworks, both realized by the sculptor Giambologna, are the big bronze statue of the god adorning the homonymous fountain, one of the most symbolic monuments of the city of Bologna, and its archetype, exhibited in one of the civic museums.The obtained 3D models, beyond the important function of documentation, knowledge and preservation of the two objects, also permit a comparison between the small archetype, conveniently scaled, and the big final statue. In the manuscript all the surveying and data processing operations concerning the objects digitisation are described. Particular attention is paid to the problems related to the scale of the archetype and the comparison between the two obtained 3D models, with the aim to evaluate and represent the occurred changes.
“…Geomatics nowadays can offer many techniques devoted to the digitalization, the documentation and the management of objects related to archaeology and built heritage (e.g. Ioannides & Quak, 2014;Tucci, Bonora, Conti, & Fiorini, 2017;Balletti, Bertellini, Gottardi, & Guerra, 2019;Bitelli et al, 2019;Girelli, Tini, Dellapasqua, & Bitelli, 2019) and the management of these data inside interdisciplinary researches is of increasing interest.…”
Section: Introductionmentioning
confidence: 99%
“…The final goal of the workflow is the creation of a georeferenced 3D model of the complex system related to the whole area, integrated with other products in support of the multi-disciplinary studies carried out in the framework of the SHELTER project. The collected data will be useful for different purposes: documentation, preservation, restoration, structural health monitoring, GIS and HBIM establishment, touristic exploration (Bitelli, Dellapasqua, Girelli, Sanchini, & Tini, 2017;Girelli et al, 2019).…”
Over the last decades, climate change has brought more and more challenges to managers of cultural heritage and researchers. The increasing effects of natural hazards on assets have required the development of a new protocol of techniques and methodologies for the monitoring of Cultural Heritage and the adoption of management plans adapted to the new challenges at every stage of risk management. The work here presented aims at providing an insight of the work undertaken under the framework of the H2020 SHELTER project, to showcase the first steps of the multi-disciplinary research conducted in one of the project’s case studies, the complex of Santa Croce in Ravenna, Italy. The paper provides the presentation of the case study and the description of the surveying activities with some first results, to provide a preliminary assessment of the site criticalities to be addressed in the future activities in the area, in line with the EU project expected outcomes.
“…Nowadays, one of the main challenges posed to researchers working in the field of heritage documentation is related to the development of new effective strategies and techniques able to provide full support to restorers without scarifying the criteria of accuracy, precision and data manageability. According to these aims, the main methods that nowadays are able to provide valuable support in the different documentation phases preliminary to a restoration project (Girelli et al 2019) are represented by both range-based techniques, e.g. connected with the use of LiDAR (Light Detection and Ranging) systems, and image-based approaches, involving the acquisition of digital images that are after that processed using a photogrammetric computer vision approach.…”
Abstract. In the framework of restoration operations, valuable assistance can be supplied from innovative techniques and methods developed in the field of Geomatics. Over the years, this continuous collaboration has produced synergistic and interdisciplinary results that have been successfully contributing to heritage conservation and valorisation. In the case of the current research, thorough multisensory investigations have been performed in order to provide a deeper knowledge of the Green Room of the Valentino Castle in Turin and to support the planning of the future restoration works that will involve this valuable asset. In the framework of this experience, four LiDAR systems have been employed in order to evaluate the different results obtainable from the sensors. Additionally, a complete photogrammetric close-range survey has been carried out, and some tests were completed using a hyperspectral camera. The workflow followed during the current research is described in this paper, and a comparison between the obtained outputs is proposed, focusing on the characteristics of these metric products, useful and sometimes necessary in the framework of the restoration project. Besides, some considerations on the advantages and the issues connected with the use of these reality-based data as a starting point for HBIM (Heritage Building Information Modeling) model generation are proposed, along with some observations about the potentialities of a photogrammetric co-registration approach using spectrum technologies for deterioration/decay detection and monitoring of heritage.
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