Heritage as Knowledge: Capital or Culture?

Graham, Brian

doi:10.1080/00420980220128426

Cited by 341 publications

(257 citation statements)

References 9 publications

Supporting

Mentioning

200

Contrasting

Unclassified

Order By: Relevance

“…S tem pa se proučevanje in ohranjanje dediščine približa vedam, ki se ukvarjajo s konstrukcijo znanja in oblikovanjem identitete. Za raziskovalce postanejo zanimive vse vrste znanja (Graham, 2002), načini delovanja skupnosti (Muršič, 2005), vsakdanje življenje in spreminjanje identitet. Takšen pristop se povezuje tudi s poststrukturalističnimi interpretacijami učenja, ki izhajajo iz semiotskih sistemov in konstrukcije pomenov.…”

Section: Opis Okolja Raziskaveunclassified

Ohranjanje kulturne dediščine na presečišču med andragogiko in kulturno antropologijo - Študija primera: društvo Anbot

Ličen

Tomšič²,

Planinc³

2012

View full text Add to dashboard Cite

UvoDOhranjanje kulturne dediščine ter razvijanje skupnosti in kulturnih praks se tesno povezujeta z neformalnim izobraževanjem odraslih in andragogiko, kot lahko zasledimo v delih različnih avtorjev (Židov, 2011a;Kasworm, Rose, Ross-Gordon, 2010;Taylor, McKinley Parrish, 2010;Bračun Sova, 2009;Findeisen, 1998). Izobraževanje o kulturi in ohranjanje kulturne dediščine je način za spoznavanje med različnimi skupinami in za oblikovanje identitete. Poteka v društvih in kulturnih ustanovah, kot so muzeji, galerije, knjižnice, ki s svojo dejavnostjo na področju neformalnega izobraževanja odraslih ustvarjajo t. i. tretji prostor, to je prostor med formalnim izobraževanjem in izkustvenim učenjem v vsakdanjem življenju. Podoben položaj pri oblikovanju tretjega prostora imajo tudi društva, njihovo poslanstvo v neformalnem izobraže-vanju v slovenskem okolju sega že v 19. stol., Doc. dr. Nives Ličen Filozofska fakulteta Univerze v LjubljaniMaja Tomšič Natalija Planinc

show abstract

Section: Opis Okolja Raziskaveunclassified

Ohranjanje kulturne dediščine na presečišču med andragogiko in kulturno antropologijo - Študija primera: društvo Anbot

Ličen

Tomšič²,

Planinc³

2012

View full text Add to dashboard Cite

show abstract

“…Here, the On the subject of city image, Graham (2002) has stated that the subject of city marketing is actually not the city per se but the idea or image of the city, which comprises the information that has been conveyed and successfully received by the recipient. According to Graham, there are actually two "cities" that co-exist in the idea of the "city": one is the "external city", that is, the distinguishing marks of the city, such as its buildings or landmarks.…”

Section: Figure 1 City Image Differentiation Hierarchy Diagrammentioning

confidence: 99%

The Construction of City Images in Micro Films: A Case Study of Taipei City Government

Chia-ju

2015

WJSSR

View full text Add to dashboard Cite

In recent years, with the rapid development of the media, an increasing number of corporations and even government agencies are using the new format known as the micro film as a means of advertising and marketing. In this study, we took the micro films produced by the Taipei City Government as objects of analysis to investigate the image of the city as constructed in and produced by these films.Furthermore, in this study, the symbol of image in three such micro films was studied: Love@Taipei, My Micro Tour of Taipei, and Happily Ever After. It was found that in these films, the characteristics of the city of Taipei have been presented accurately and successfully by means of the Motivation and Objectives of the StudyThe widespread popularity and use of mobile equipment means that users can now enjoy music and video clips anytime, anywhere. The "micro film" format is a new format that has emerged due to this development. Currently, this method is popular not only with corporations but also with government agencies, with the micro film format used for the communication of issues of public interest and policies and even for city marketing. The new marketing model that is "city + micro film" works by drawing the audience in by laying out an attractive atmosphere in the film and with plot and narrative development. As the audience is drawn into the narrative, they also develop a stronger impression of the city and hence tend to favor the city. This is how the objective of city marketing is achieved (Yahoo! Kimo, 2012 The trend of micro films has substantially attracted the locales of Chinese majority, such as Taiwan, Hong Kong, and Singapore. Presently, the micro film can be described using several distinctive characteristics regarding technique, market, and cultural terms. Therefore, in this study, we took the micro films produced by the Taipei City Government as objects of analysis to investigate the city image as constructed and generated in these films. Literature ReviewBelow is the description of the literature and theories relevant to this study. City Image and City MarketingIn the concept of image, Bounding (1956) proposed that the image is the cognition of and attitude toward an object in the mind of the subject. Additionally, the image is an overall judgment that is subjective in nature. Human behavior is not only impacted by knowledge and information but also by the image that is formed in individuals' minds. Thereafter, Scott moved one step beyond to propose that the image is an organized representation of an object in the individual's cognitive system (Scott, 1965), a representation that consists of both cognition and emotion as well as an implication of the individual's memories, expectations, knowledge, and opinions of the object (Liu, 2001). The creation of the image can be said to be a dynamic and mobile process wherein the subject continually revises his or her cognition of the object due to the influence of external information and then makes a final judgment and evaluation based on the ...

show abstract

“…The image of the walled town frozen in time is given official recognition in UNESCO's inscription of the 'Museum City of Gjirokastra', for example, and exemplified by places such as Quedlinburg and Urbino. At worst, the nurturing of walled enclaves as branded heritage quarters can transform local communities into incidental players on 'stage sets' where heritage is commodified for economic exchange -a criticism levelled at the World Heritage Sites of Brugge and Carcassonne, for example (see Graham 2002Graham : 1007.…”

Section: Conservation and Contestationmentioning

confidence: 99%

Contested townscapes: the walled city as world heritage

Creighton

2007

World Archaeology

View full text Add to dashboard Cite

Walled towns and cities feature prominently on the list of UNESCO World Heritage Sites. But while a fundamental guiding principle of the WHS list is that properties are designated for the benefit of all, these historic walled communities can be conceptualised as a particularly 'dissonant' form of heritage where the past is contested or disputed in the present. Many such places have violent histories and have changed political or national allegiance in the past. Moreover, city walls, while outwardly embracing populations, also inevitably serve to exclude or marginalise other social groups. The identities of walled heritage cities are multi-layered and far from static, being susceptible to re-invention. Tensions and contradictions are also apparent in the fact that heritage agencies work in national contexts on the management of sites that are designated as an international resource, and the agendas of these organisations can mean that certain periods or interpretations of the past are prioritised above others. All these factors present considerable challenges to those responsible for conserving and researching heritage sites that are simultaneously living communities. Against this background, the practicalities and politics of designating and delineating historic walled communities as World Heritage Sites are reviewed, as are strategies for managing the archaeological resource. The paper draws on examples of walled communities inscribed as UNESCO World Heritage Sites, with a particular emphasis on Europe, North Africa and the Middle East.

show abstract

Heritage as Knowledge: Capital or Culture?

Cited by 341 publications

References 9 publications

Ohranjanje kulturne dediščine na presečišču med andragogiko in kulturno antropologijo - Študija primera: društvo Anbot

Ohranjanje kulturne dediščine na presečišču med andragogiko in kulturno antropologijo - Študija primera: društvo Anbot

The Construction of City Images in Micro Films: A Case Study of Taipei City Government

Contested townscapes: the walled city as world heritage

Contact Info

Product

Resources

About