1996
DOI: 10.1017/s004740450002042x
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Heckling in Hyde Park: Verbal audience participation in popular public discourse

Abstract: Speakers' Corner is a multicultural setting in a London park at which the general public can actively participate in popular debate. A successful “soap-box” orator should attract and keep an audience, elicit support from the crowd, and gain applause; indeed, a mastery of the crowd, the discourse, and the message is highly valued. However, although talk resources are deployed sensitively by speakers to elicit group affiliation and response, they are also exploitable by hecklers as resources for launching heckle… Show more

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Cited by 59 publications
(32 citation statements)
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“…Large crosses indicate louder applause, and small crosses indicate quieter applause. Laughter was transcribed in a similar fashion, but using the character "h" in place of "x" (following McIlvenny, 1996). Cheering was simply marked "cheers."…”
Section: Methodsmentioning
confidence: 99%
“…Large crosses indicate louder applause, and small crosses indicate quieter applause. Laughter was transcribed in a similar fashion, but using the character "h" in place of "x" (following McIlvenny, 1996). Cheering was simply marked "cheers."…”
Section: Methodsmentioning
confidence: 99%
“…I show that the First Officer orients to his accountability to the Captain for both the technical content of various parts of the plan and for the claims he makes as these parts are addressed and completed by coordinating the timing of his talk and nontalk activities in particular ways. In this article, I therefore further interest in the interactive features of monologic talk, for example, Atkinson (1984Atkinson ( , 1985, McIlvenny (1996), and Rendle-Short (2002) who considered speakers' gaze, gestures, and use of various tools in seminar presentations. In the article, I develop such interest in that I consider a new site for such monologic talk, the airline cockpit, a site that is different because the participants are members of a team performing a task for which they are both professionally accountable.…”
Section: Communication In the Cockpitmentioning
confidence: 99%
“…The third stream of research focuses on the ways in which public speakers interact with their audiences, paying particular attention to the social organization of collective audience responses such as applause, laughter and booing. With very few notable exceptions (e.g., Greatbatch & Clark, 2003;McIlvenny, 1996) this latter group of studies has focused on leader oratory within a political context.…”
Section: The Nature Of Charismatic Oratorymentioning
confidence: 99%
“…In most cases, the speakers then confirm the relevance of applause by ceding the floor until audiences' responses end or begin to subside (Atkinson, 1984a). Atkinson (1984a, b) and Heritage and Greatbatch (1986) identify seven rhetorical devices (contrasts, lists, puzzle-solution, headline-punchline, combinations, position taking and pursuits) through which speakers elicit applause from their audiences (see also Brodine, 1986;Clayman, 1993;Grady & Potter, 1985;McIlvenny, 1996). These devices can be used by public speakers to facilitate applause by emphasizing messages and by providing clearly projectable message completion points around which individual audience members can coordinate their actions.…”
Section: Speaker-audience Interactionmentioning
confidence: 99%