2002
DOI: 10.1177/014833310205100308
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Harry Potter and the “Deeper Magic”: Narrating Hope in Children's Literature

Abstract: with their literary precursors, Ann Radcliffe's Mysteries of Udolpho and Charlotte Bronte's Jane Eyre, to illuminate what is traditional and what is original or "re-visionary" in contemporary portrayals of women's experience.

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Cited by 8 publications
(5 citation statements)
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“…The complexity and richness of the topics addressed in the novels (Mulholland, ) make them appealing to both children and adults (Heilman, ; Patrick & Patrick, ). As such, it not surprising that they have stimulated debates and controversies on moral, religious, and educational topics among scholars of various disciplines (Griesinger, ; Senland & Vozzola, ).…”
mentioning
confidence: 99%
“…The complexity and richness of the topics addressed in the novels (Mulholland, ) make them appealing to both children and adults (Heilman, ; Patrick & Patrick, ). As such, it not surprising that they have stimulated debates and controversies on moral, religious, and educational topics among scholars of various disciplines (Griesinger, ; Senland & Vozzola, ).…”
mentioning
confidence: 99%
“…Th e world of the Harry Potter series does not even attain the inconsistent position that Western society holds toward iconic or endangered species, or the Western tendency toward eating less fl esh. Other critics have pointed out the traditional conservative nature of Hogwarts in the portrayal of other aspects of society (Holden, 2000;Griesinger, 2002). Th is conservatism extends to its treatment of nonhuman sentient beings, so its value as a standard for Christian values as described by some Christian critics (Greisinger, 2003;Dickerson & O'Hara, 2006) is questionable.…”
Section: Resultsmentioning
confidence: 99%
“…As the infl uence of the Harry Potter novels on popular culture spreads, the series has drawn no shortage of condemnation from scholars and educators, critical of the way the books portray societal norms and Christian values, their sexual stereotyping, and their conservative and derivative descriptions of boarding school life (Dickerson & O'Hara, 2006;Griesinger, 2002;Holden, 2000). Notably lacking has been any critique of the way nonhuman animals and other nonhuman sentient beings are portrayed in the worlds of Harry Potter, Narnia, and Middle Earth.…”
Section: Introductionmentioning
confidence: 99%
“…Indeed, spectators and audiences are the most easily generalised, assumed and implied within research that is unwilling to actually speak to real spectators. We have learnt by now of the philosophical underpinnings of Rowling’s motifs – the narrative of hope (see Griesinger, 2002), the mirror of Erised, the unforgivable curses, the magic of love, the forbidden forest, the great lake, the motif of the basilisk (see McCarron, 2006), the concept of the Horcrux where a soul is divided as an act of dark magic. But empirical investigations of reception can prove equally fascinating – see for instance Black’s account of Carry, a depressed student for whom ‘the shifting corridors and miraculous dining rooms of Hogwarts are good places to begin the healing process’ (Black, 2003).…”
Section: The Potter Phenomenon and The (Missing?) Empirical Pursuit Omentioning
confidence: 99%