The existing Islamophobia literature has aptly illustrated how the tragedy of 9/11 and the discourses that followed have situated ‘Muslims’ in a multifaceted system of reductive caricatures and security structures such that the Muslim subject “can at a moment’s notice be erected as [an] object of supervision and discipline” (Morey and Yaqin 2011: 5-6). The current paper builds off this structural analysis, however orients attention to the agents that sit at the receiving end of this architecture. Examining an annual multi-medium exhibit featuring the artistic works of Muslim women in the Greater Toronto Area (GTA), I ask what (re)imaginings and possibilities of place, voice and emancipation are available in our Islamophobic age? What possibilities can we detangle from closely engaging with the negotiation patterns of the agents living the everyday of Islamophobia. (Mus)interpreted - an amalgamation of misinterpreted and Muslim interpreted - is an exhibit oriented towards uncovering-dismantling-and-rectifying the politics of living and finding ‘home’ amidst the backdrop of the problematic subject frame. The paper will engage with the ‘artistic statements’ of nearly two dozen multi-medium curated pieces, and ask what possibilities of place, voice and emancipation remain for the post 9/11 Muslim subject in our increasingly securitized and racialized age. There will also be a sustained attention given to issues of recognition/misrecognition /nonrecognition, broadly asking if the politics of recognition is framed as the site for emancipatory re-imaginings, or as the curators put it, as the grounds for “inclusive-future[s]”?