Gift Exchange and Art Collecting: Padre Sebastiano Resta's Drawing Albums

Warwick, Genevieve

doi:10.2307/3046279

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“…3 On Dolce, see Aymonino; Malvasia. 4 On Resta, seePopham 1936Popham -1937Warwick; Prosperi Valenti Rodinò 2001, pp. 60-86;Prosperi Valenti Rodinò 2007; Prosperi Valenti Rodinò 2013;Bianco;Pizzoni 2018.…”

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Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Vermeulen

2024

Art and Its Geographies

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Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Vermeulen

2024

Art and Its Geographies

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Art and Its Geographies

2024

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“…17 See, among others, Klapisch-Zuber;Molho;Kent, 1987; Wiessman;Bullard, 1990; Elam, 1993;Kent, 1994;and Wallace, 1999. 18See Parker, The classic anthropological study of the dynamics of gift-giving is Mauss. See also Morris; Cunnally; The Gift ;Nagel, 1997;Warwick;Davis;Butters. 20 See Steinmann, 16; Carteggio indiretto, 2:15 (Luigi del Riccio to Lionardo Buonarroti, 11 July 1545). For del Riccio's gifts of food to Michelangelo, seeWallace, 2010, 206.21 Vasari, 1:118.…”

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Michelangelo’sSlavesand the Gift of Liberty^*

Ruvoldt¹

2012

Renaiss. Q.

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Sometime between 1544 and 1550, Michelangelo gave two sculptures, the Rebellious Slave and the Dying Slave, to Roberto Strozzi, a fellow Florentine resident in Rome. Although the gift ostensibly signified gratitude for Strozzi’s hospitality during the artist’s convalescence from a grave illness, it had strong political undertones. Shortly after receiving this extraordinary present, Strozzi, most likely with Michelangelo’s consent, gave the sculptures away, presenting them to the King of France as part of an effort to persuade him to intervene on behalf of the Florentine Republic in its final struggle against Medici rule. Michelangelo’s loyalties, both personal and political, were simultaneously revealed and concealed in this act of calculated generosity. This article situates the gift within the context of Michelangelo’s habits of gift-giving, his networks of kinship, and the complicated politics of the 1530s and ’40s.

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Gift Exchange and Art Collecting: Padre Sebastiano Resta's Drawing Albums

Cited by 5 publications

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Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Art and Its Geographies

Michelangelo’sSlavesand the Gift of Liberty^*

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Gift Exchange and Art Collecting: Padre Sebastiano Resta's Drawing Albums

Cited by 5 publications

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Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Art and Its Geographies: Configuring Schools of Art in Europe (1550–1815)

Art and Its Geographies

Michelangelo’sSlavesand the Gift of Liberty*

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Michelangelo’sSlavesand the Gift of Liberty^*