2021
DOI: 10.1111/tran.12443
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Geography and film music: Musicology, gender, and the spatiality of instrumental music

Abstract: If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections.

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Cited by 8 publications
(4 citation statements)
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“…is means that the music intelligent system has achieved a better level according to the habits and pursuits of music lovers. At the same time, the current music intelligent system has also realized the function of speech recognition, which can find suitable music songs and music expressions according to people's speech needs [7]. In general, the current music intelligent system has achieved a more detailed and more accustomed way.…”
Section: Introductionmentioning
confidence: 99%
“…is means that the music intelligent system has achieved a better level according to the habits and pursuits of music lovers. At the same time, the current music intelligent system has also realized the function of speech recognition, which can find suitable music songs and music expressions according to people's speech needs [7]. In general, the current music intelligent system has achieved a more detailed and more accustomed way.…”
Section: Introductionmentioning
confidence: 99%
“…Es importante resaltar que los códigos geopolíticos no son necesariamente productos de una política exterior explícita de los Estados, sino, muchas veces, frutos de lo que los autores denominan "geopolíticas populares", que buscan incidir en las percepciones de diferentes grupos y actores sociales sobre demandas territoriales de los Estados (Anaz y Purcell, 2010;Dittmer, 2010;Dodds, 2006;Sharp, 1996). La pregunta clave para estos estudiosos es cómo los textos, en revistas y periodicos (Sharp 1996), y/o eventos culturales populares, como películas (Anaz y Purcell, 2010;Dodds, 2010) y música (Kirby, 2021) representan, producen y reproducen eventos, lugares y personas en la construcción de identidades personales y colectivas (Said, 1997).…”
Section: Politización Del Deporte Y Geopolítica Olímpicaunclassified
“…During the pandemic times when virtual classes are the dominant medium of teaching, film can be an effective visual representation. Film is a cultural product and imparts a regional identity, values, and meanings (Tuan, 1979 ; BFI, 2005 ; BFI, 2015 ; Doel, 2008 ; Kirby, 2021 ; Sunikka-Blank et al, 2020 ; UIS, 2016 ) through geographic media literacy (Lukinbeal, 2014 ). Similarly, it gives a geographical explanation, historical information, and recreation to people (Orueta & Valdes, 2009 ) even when they cannot visit the field and are maintaining social distancing.…”
Section: Introductionmentioning
confidence: 99%