2015
DOI: 10.1080/21502552.2015.1010839
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Future Museums Now — Augmented Reality Musings

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Cited by 15 publications
(8 citation statements)
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“…Mobile augmented reality is defined as a platform where simultaneous interaction between virtual and real objects is established by adding virtual objects such as 2D or 3D images, sound, video, GPS location information on real images with the help of a tablet or mobile device (Dunleavy, Dede, & Mitchell, 2008;Rhodes, 2015). This technology is first adopted in the defense industry, especially in the military industry and exercises, with the 3D design of the products.…”
Section: Introductionmentioning
confidence: 99%
“…Mobile augmented reality is defined as a platform where simultaneous interaction between virtual and real objects is established by adding virtual objects such as 2D or 3D images, sound, video, GPS location information on real images with the help of a tablet or mobile device (Dunleavy, Dede, & Mitchell, 2008;Rhodes, 2015). This technology is first adopted in the defense industry, especially in the military industry and exercises, with the 3D design of the products.…”
Section: Introductionmentioning
confidence: 99%
“…Digitally networked space enhances the affective experience of public art (Gauthier, 2015), as it essentially inscribes publics around the artworkÕs appreciation through ekphrasis (discursive commentary) (Rhodes, 2015). This expands WarnerÕs (2002: 62) definition of publics to the digital: Ôa public is understood to be an ongoing space of encounter for discourse.…”
Section: Online Uses: Reconfiguring Spatialities and Temporalitiesmentioning
confidence: 99%
“…Digital surfing can involve myriad uses of art: for example, browsing, sharing, creating, editing, and curating or composing first- or second-hand art content, which can be done over, for example, image management and sharing platforms of Flickr and Pinterest (Kidd, 2014). Digitally networked space enhances the affective experience of public art (Gauthier, 2015), as it essentially inscribes publics around the artwork’s appreciation through ekphrasis (discursive commentary) (Rhodes, 2015). This expands Warner’s (2002: 62) definition of publics to the digital: ‘a public is understood to be an ongoing space of encounter for discourse.…”
Section: Virtual Relationalitymentioning
confidence: 99%
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“…Museums:AR is frequently used by museums and historical sites to provide guided tours and interactive exhibits. For instance, the Louvre in Paris uses AR to offer more details about its collection of artwork [46].…”
mentioning
confidence: 99%