This paper proposes to study the constitution of organization at the interstice of order and disorder. By putting forward the processual, heterogeneous, and fragmented nature of organization, it explores the mediating role of communication in organizational becoming (Tsoukas and Chia, 2002). More specifically, the paper focuses on how organizations overcome the inherently precarious, contingent, and disorderly character of their existence in and through language use. Taking a communicative centered approach, the paper argues for considering language-in-use as intrinsically embedding both order and disorder. To do so it relies on the empirical material of three extensive qualitative case studies in three distinct project-based organizations: a science and technology diffusion program, a software development company, and a management consulting firm. The transversal analysis of these studies shows that efforts of ordering are continuously haunted by disordering, that is, the plurality of many potential orders, which are at work in communication. Furthermore, the analysis highlights the key and yet paradoxical role of ordering devices (in the three cases studied inscribed in texts), which are designed to create and maintain order, and because of their language-based nature, generate contingency and undecidability. Language is indeed a source of ambivalence (Weick, 1990). As such, the call for order can (usually does) trigger disorder and the other way around. Organizational agents must then beware of the spirits they call. As Goethe's (1797) sorcerer apprentice rapidly learns, what we animate, especially when associated to language, does always at some moment escape our command. Hence, we can never pretend to completely master it. Goethe's renowned poem Der Zauberlehrling -translated as the Sorcerer's Apprentice or the Pupil of Science -reveals a dramatic situation where the laws of nature are disrupted and thrown into chaos by the well-intentioned but inexpert apprentice's use of magic. In Walt Disney's popularized version of this poem, Fantasia (Walt Disney Picture, 1940), the apprentice (impersonated by Mickey Mouse) is nearly drowned by proliferating brooms -who were first useful tools in cleaning the sorcerer's laboratory -fetching buckets of water that become a torrential flood. The lines in which the apprentice implores his master to help him get things back to order, transcribed in the opening quote of this introduction, especially Die ich rief, die Geister, werd ich nun nicht los (literally, "The spirits that I've called, I cannot get rid of them anymore"), have been reinterpreted in various contexts (c.f.
PROJECT ORGANIZING AS NEGOTIATION OF (DIS)ORDERINGInternet and technology, Gregory, 2000; politics, Hossenfelder, 2008 ; law, Biermeyer, 2011) to describe a situation where a person summons allies that once set in motion, become independent and get out of control. In analogy to Goethe's poem, this paper addresses the (dis)organizing nature of organizations by exploring the spirits and brooms ...