From Forces’ Choice to Desert Island Discs: The BBC’s promotion of personal choice in wartime

Abstract

Up to 1939, the BBC followed a paternalistic music programming policy that sought to educate as well as to entertain, airing a high proportion of art music. When war was declared in 1939, the Corporation’s policies reversed, aiming to unite the nation and maintain morale. Shows focused on popular and light music, and the BBC developed alternative programming approaches, in particular the promotion of personal choice. Series like Forces Music Club, Forces’ Choice, and Forces’ Favourites, continuing after the war as Family Favourites and Two-Way Family Favourites, popularised a formula in which listeners requested gramophone recordings to be aired. Thus, when Roy Plomley’s Desert Island Discs launched in January 1942, it followed in a line of war-time, listener-led gramophone programmes; unusually, only this one featured musical choices of celebrated personalities. Little could anyone predict that DID’s programme formula would long outlast the policies and conditions of the BBC at war.

Conversationalization and democratization in a radio chat show: a grammar-led investigation

“…• democratization of access, e.g. accepting people with regional accents for public speaking roles in the media;2 1 As Doctor (2017) notes, the very introduction of programmes like DID during the 1940s was itself a step towards 'democracy' in British broadcasting. Up to that point music selections on the radio were controlled by the broadcasters themselves.…”