2015
DOI: 10.1080/14649365.2015.1009854
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Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

Abstract: This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museu… Show more

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Cited by 11 publications
(6 citation statements)
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“…On the other hand, museums remain important civic institutions (Beel, 2017; Morse & Munro, 2018), especially for youth compelled to visit with school‐affiliated activities (McCreary & Murnaghan, 2019; Phillips et al., 2015). In terms of the museum's growing role as an agent of social services (Morse & Munro, 2018, p. 362), museums are also potential sites of governmentality that work to encourage a new kind of subject formation through “empowerment” and “self‐regulation” (Beel, 2017, p. 462; drawing on Cruikshank's (1999) intrepretation of Foucault).…”
Section: Embodied Persuasionmentioning
confidence: 99%
See 1 more Smart Citation
“…On the other hand, museums remain important civic institutions (Beel, 2017; Morse & Munro, 2018), especially for youth compelled to visit with school‐affiliated activities (McCreary & Murnaghan, 2019; Phillips et al., 2015). In terms of the museum's growing role as an agent of social services (Morse & Munro, 2018, p. 362), museums are also potential sites of governmentality that work to encourage a new kind of subject formation through “empowerment” and “self‐regulation” (Beel, 2017, p. 462; drawing on Cruikshank's (1999) intrepretation of Foucault).…”
Section: Embodied Persuasionmentioning
confidence: 99%
“…Crang and Tolia‐Kelly (2010), for instance, put forward an approach to the British National Museum that includes the politics of representation but also the registers of affect, emotion and embodiment that often reinforces those politics. Waterton and Dittmer (2014), too, propose the “museum as assemblage”, pointing to the direct encounter between visitor bodies and the museum's materiality, an encounter that conditions the formation of ideas about nation, politics, and war (also see Hetherinton, 1999, Phillips et al., 2015 and Smith & Foote, 2017 on “museum as assemblage”). Importantly, because assemblages are “open systems” (Waterton & Dittmer, 2014, p. 124) they are constantly experiencing reinvention.…”
Section: Introductionmentioning
confidence: 99%
“…Museum geographers discuss museums as centres for the examination of identity, but can also explore dissonant histories, or are places of resistance and centres that focus on the post-colonial gaze (Phillips et al 2015). Museum narratives are then a form of storytelling, and an analysis of their discourses can help us understand the underlying political and social relationships that developed around these stories (Ryan et al 2016).…”
Section: Heritage and Nationhoodmentioning
confidence: 99%
“…12 Within geography, Phillips, Woodham, and Hooper-Greenhill provide an excellent summary of recent work, identifying 11 themes which they group into three major categories (Table 1). 13 We are concentrating in this analysis on the themes in the second group: the geographies of museum assemblage, including the geography of collections; the geography of displays, exhibits and galleries, and museum architecture.…”
Section: Theoretical Framementioning
confidence: 99%