2022
DOI: 10.1111/gec3.12623
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Museum as geopolitical entity: Toward soft combat

Abstract: Many scholars have examined the museum as a site of politics. This paper reviews recent research on museums and puts forward "soft combat" as a device for understanding how museums operate as geopolitical entities today. Soft combat includes (a) enrolling the visitor in affective atmospheres, (b) engaging with violence and trauma, and (c) embodied persuasion. We examine a military museum in the U.S.A to substantiate soft combat as a kind of biopolitics.

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Cited by 3 publications
(1 citation statement)
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“…This exposes a contradiction of the moving body of the tourist, as the possibility to travel is a form of freedom from assigned immobilities but involves entering other forms of biopolitical control over mobility, such as a liberal form of governmentality in which freedom of movement is permitted under certain regulations (Sarasin, 2020). Conversely, a museum as a space of exception, and power, is not as radical as the airport in terms of security and control, focusing more on the embodiment and affect to influence political subjectivity (Miller and Wilson, 2022). However, as we assert, the Naoshima case is particular in its modus operandi and reach.…”
Section: Controlling Bodies Framing Subjectivities In Art and Tourismmentioning
confidence: 99%
“…This exposes a contradiction of the moving body of the tourist, as the possibility to travel is a form of freedom from assigned immobilities but involves entering other forms of biopolitical control over mobility, such as a liberal form of governmentality in which freedom of movement is permitted under certain regulations (Sarasin, 2020). Conversely, a museum as a space of exception, and power, is not as radical as the airport in terms of security and control, focusing more on the embodiment and affect to influence political subjectivity (Miller and Wilson, 2022). However, as we assert, the Naoshima case is particular in its modus operandi and reach.…”
Section: Controlling Bodies Framing Subjectivities In Art and Tourismmentioning
confidence: 99%