Fotografar prejudica a memória?

Cruz, Nina Velasco e; Salazar, Manuela

doi:10.5433/1984-7939.2016v12n21p13

Cited by 1 publication

(2 citation statements)

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“…All photography is, by its very nature, manufactured, more or less intentionally, either considering the purposes ascribed to it or the level of technical procedures in the photographer's own framing and relationship with those photographed (Vanti, 2006;Langmann & Pick, 2013;Cruz & Salazar, 2016;Roberts, 2011). Vanti (2006)…”

Section: Resultsmentioning

confidence: 99%

“…According to Hertzmann (2018), "Prior to the invention of photography, realistic images of the world could only be produced by artists" (p. 3). The members of contemporary societies are increasingly immersed in digital culture with the increase of visual communication in a multimedia context, through the use of the digital image in the context of their daily lives, in a process of increasing centrality of the photographic image in social life (Bastos, 2014;Fusari, 2017;Rossi, 2017;O'Hara & Higgins, 2017;Cruz & Salazar 2016;Sbriccoli, 2016;Strathman, 2015).…”

Section: Introductionmentioning

confidence: 99%

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Photography in Social Science Research

Ferreira

Serpa

2020

JESR

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Visual communication is critical in contemporary societies. Research in social sciences increasingly tends to mobilize the image, for example, in the form of photography, in its processes (in the collection and interpretation of information) and products (in the communication of research results), which leads to the need to reflect critically on its specificities. This paper aims to add to the analysis of the potentialities, limitations and challenges of the use of photography in social sciences research. For this purpose, the paper presents and discusses empirically collected documentary expressions, selected from an organizational case study based on their heuristic capacity to illustrate the argumentation put forth herein. It is concluded that the potential of the use of photography in research in social sciences is high, but it is essential that the researcher considers, besides more technical aspects and ethical complexities, that photography is, in part, also the materialization of a certain socially constructed representation of reality.

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Section: Resultsmentioning

confidence: 99%