Filosofi Penataan Ruang Spasial Vertikal Pada Rumah Tradisional Saoraja Lapinceng Kabupaten Barru

Wasilah, Wasilah; Hildayanti, Andi

doi:10.21776/ub.ruas.2016.014.02.7

Cited by 8 publications

(5 citation statements)

References 1 publication

(1 reference statement)

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“…Gender relations have also been found to be a determinant in the spatial arrangement of residential houses among the Sumba ethnic groups to show the gender duality dynamics of male and female which is centred on the living room as a family fireplace (Asih et al 2015). Another study showed gender category was also used in determining the vertical spatial structure in the traditional house of Saoraja Lapinceng in Barru Regency (Wasilah and Hildayanti 2016). Moreover, gender was also discovered to be playing a significant role in different aspects of life in the Tamkesi traditional village of Timor (Lake 2016;Tallo 2013) as well as Naga in West Java (Khairunnisa 2014).…”

Section: Gender In Culture and Architecturementioning

confidence: 99%

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

Purbadi¹,

Lake²,

Sumardiyanto³

et al. 2021

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This article aimed to show the existence of gender concepts in the culture and settlement of the Dawan tribe in Kaenbaun Village, as indicated with its strong presence in the everyday life of the community, including the formal and ritual aspects. The concept exists in the inner world and mindset of every villager and has also become the guiding element of their world view, behaviour, place arrangement, and living space structures. This study was, there, conducted using participatory observation based on the Husserlian phenomenology paradigm supported by the inductive-empirical and qualitative descriptive methods to discover and understand the gender concept as well as its application and background in the selected tribe. The results showed the fetomone gender concept has become a paradigm of the thought expressed broadly and consistently through words, behaviour, as well as place and spatial arrangements among the villagers. Its function and meaning were further clarified in relation to the life and settlement architecture of the people. The core principle observed to be behind the concept is the separation and integration of life elements in an intense and permanent mutualism symbiotic relationship. Therefore, it was necessary to research the concept, function, and meaning of gender in ethnic cultures throughout Indonesia in order to form a collection of knowledge on gender and spatial planning which is useful to the understanding of ethnic settlements’ uniqueness based on local or ethnic perspectives and their preservation.

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Section: Gender In Culture and Architecturementioning

confidence: 99%

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

Purbadi¹,

Lake²,

Sumardiyanto³

et al. 2021

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“…Sesuai dengan tradisi dan kepercayaan masyarakat suku Bugis, terdapat adat istiadat berupa aturan dan pedoman dalam berpikir serta bertindak untuk menjalani hidup. Adat istiadat tersebut merupakan warisan yang diturunkan oleh nenek moyang terkait bagaimana cara bersosialiasi dengan masyarakat, cara bertata krama dan tata cara mendirikan rumah (Wasilah & Hildayanti, 2017). Warisan terkait ilmu dan tata cara mendirikan rumah tersebut telah diturunkan dalam bentuk lisan dan naskah tertulis secara turun temurun.…”

Section: Tradisi Membangun Rumah Masyarakat Suku Bugisunclassified

Relasi Jejaring Aktor Masyarakat Suku Bugis Soppeng Dalam Tradisi Mendirikan Rumah (Mappatettong Bola)

Hatta

Ekomadyo

2020

ARCADE

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Every process and stage in phase of constructing of Indonesia’s vernacular architecture is required the role and contribution of individual or several actors so that procession of house construction can be built due to purposes. According to traditions and beliefs of the Bugis community, there are several actors who have different roles and responsibilities during the process of establishing a Buginese-house. This research aims to explore the influence of the actors’ role who are involved in the process of constructing a traditional Bugis house. Correlation and impact of one actor's involvement with other actors will be reviewed based on the perspective of the Actor Network Theory (ANT) by using descriptive qualitative method. The results revealed that there are 4 stages in the process of building Buginese-house namely the process of constructing a house frame (Mattibang Bola), the process of marking the center of the house (possi bola), the ritual of reading thanksgiving prayer (barzanji), and the process of establishing a house frame (Mappatettong Bola). Founded, Sanro Bola and Panre Bola, namely traditional leaders who have a mandate in the tradition of building houses, are actors who act as controlling actors and are very influential in maintaining the stability of a network in the process of building Buginese-house. Learning from the tradition of building a Buginese-house, the existence of traditional leaders is important, because it has a tradition-based on knowledge base, and this has become a mandate in regulating other actors in working.

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“…For example, Broadbent (1980), Howell (2013), Akil and Osman (2017), and Reed (2019) have reported the concept of space in a traditional or customary house to be a form of expression of identity and local cultural entities. This means the Bugis house, or Bola-Ugi, physically realized vertically on the stage as a form of local culture, reflects the natural conditions and culture of the Bugis people (Wasilah & Hildayanti, 2017;Naing, Hadi, & Djamereng, 2018;Artiningrum & Sukmajati, 2017). This concept has been in operation for generations as a value system in addition to its ability to provide comfort, safety, and harmony for the residents within the surrounding natural world (Naing, Hadi, & Djamereng, 2018).…”

Section: Introductionmentioning

confidence: 99%

Vernacular Architecture of Buginese:

Naing

Hadi

2020

IRSPSD International

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Purpose: Several studies have been conducted on the concept of Bugis community house construction to understand its macro-and micro-cosmology. This study was, however, conducted to complement the multi-perception research on the relationship between architecture and local wisdom by disclosing the formation of residential space plans. This involved the use of the Bugis house as the subject and the application of the horizontal and vertical philosophies' perspectives based on the anatomical dimensions of a lying human body as its traditional architectural uniqueness. Research Design & Methodology: The study was conducted qualitatively in Talungeng Village, Bone Regency, Indonesia, for a period of one year, 2018-2019, using the case study approach, phenomenology, and ethnography model. Data were collected through several eligible informants and analyzed using the Discovering Cultural Themes method by associating studies with architecture. Results & Findings: This study showed the horizontal spatial organization and relations in the Bugis house plan derive from the philosophy and function of human body parts in a lying position, which is believed to be a means to provide protection and comfort for residents, while the vertical aspect involves the use of the house frame as the central pillar in proportion to the whole structure. The adoption of the human body as the framework is usually to provide mutual support for the building structure and to ensure it has enough strength to mitigate against earthquakes, floods, and strong winds.

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Filosofi Penataan Ruang Spasial Vertikal Pada Rumah Tradisional Saoraja Lapinceng Kabupaten Barru

Cited by 8 publications

References 1 publication

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

Relasi Jejaring Aktor Masyarakat Suku Bugis Soppeng Dalam Tradisi Mendirikan Rumah (Mappatettong Bola)

Vernacular Architecture of Buginese:

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