2020
DOI: 10.31848/arcade.v4i3.426
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Relasi Jejaring Aktor Masyarakat Suku Bugis Soppeng Dalam Tradisi Mendirikan Rumah (Mappatettong Bola)

Abstract: Every process and stage in phase of constructing of Indonesia’s vernacular architecture is required the role and contribution of individual or several actors so that procession of house construction can be built due to purposes. According to traditions and beliefs of the Bugis community, there are several actors who have different roles and responsibilities during the process of establishing a Buginese-house. This research aims to explore the influence of the actors’ role who are involved in the process of con… Show more

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Cited by 4 publications
(4 citation statements)
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“…It aims to understand the actor relations in the pattern of changes in the form and space of traditional houses in the Balai Kaliki Traditional Village. Several studies on architecture in Indonesia also use the ANT approach, such as that carried out by Hatta (2020) when researching the tradition of assembling Bugis society, Ekomadyo & Riyadi (2020) to research Dago Pojok Bandung Creative Village, and Prasetyo (2021) to research Jelekkong Art Village Bandung. ANT sees architectural spaces built from various relationships between actors and artifacts.…”
Section: Methods 21 the Approach Of The Studymentioning
confidence: 99%
“…It aims to understand the actor relations in the pattern of changes in the form and space of traditional houses in the Balai Kaliki Traditional Village. Several studies on architecture in Indonesia also use the ANT approach, such as that carried out by Hatta (2020) when researching the tradition of assembling Bugis society, Ekomadyo & Riyadi (2020) to research Dago Pojok Bandung Creative Village, and Prasetyo (2021) to research Jelekkong Art Village Bandung. ANT sees architectural spaces built from various relationships between actors and artifacts.…”
Section: Methods 21 the Approach Of The Studymentioning
confidence: 99%
“…Several other studies have tried to map the role of a certain built environment in social relations, such as coworking spaces in the StartUp community in Bandung (Agirachman & Ekomadyo, 2017), communal spaces in social activities of waste management (Achsani & Ekomady0, 2018), public spaces communal learning in social learning (Ekomadyo, et al, 2019), or decreased attention to an old building due to the shift in technology used by the community (Rizal & Ekomadyo, 2021). There are also those who link an architectural object in the knowledge production process within a community group, such as the role of traditional leaders in each process of building a Bugis house (Hatta & Ekomadyo, 2020), a network of actors and art artifacts in Kampung Lukis Jelekong (Prasetyo & Ekomadyo, 2021). ), or how the innovation network is discontinued at the prototype stage and the implementation of a geodesic dome (Aditra & Ekomadyo, 2021).…”
Section: Methodsmentioning
confidence: 99%
“…Artikel ini diharapkan memberikan kontribusi dalam kajian realitas relasi sosial dalam fenomena arsitektur tradisional di Indonesia. Di satu sisi, karena wataknya yang masih tradisional, hierarki sosial masih berperan penting dalam produksi ruang, yang ditunjukkan dengan peran dominan tokoh dan pemuka adat dalam pengambilan keputusan (Hatta & Ekomadyo, 2020, Hutomo, dkk, 2021. Namun demikian, masyarakat adat juga memproduksi ruang-ruang tempat relasi sosial bisa bersifat cair, dan lewat keseharian tercipta modal sosial dalam beradaptasi (Ameir, dkk, 2021, Dewi & Ekomadyo, 2021…”
Section: Kesimpulanunclassified