“…Over the last two decades, film tourism or film-induced tourism has developed into a subject area, in which a variety of issues are explored, including fandom and pilgrimage (Geraghty, 2019: 208–211; Reijnders, 2011: 113–114), destination management planning (Lindström, 2019), labour conflict (Tzanelli, 2013: 53–62) and strategic destination development (Wray and Croy, 2015). The question of sustainability seems to cut across all these themes, as there have been scholarly voices questioning the longevity of interest in such niche tourism (Beeton, 2016; Kim et al, 2017; Macionis, 2004), but also the factors determining this (Thelen et al, 2020). Contrariwise, there has been less interest in the sociocultural modus vivendi rather than economic consequences and impacts of such development for the filmed destinations that have to host diverse tourism mobilities (Buda, 2015; Tzanelli, 2018).…”