2017
DOI: 10.1080/15256480.2016.1276005
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Film Tourism Town and Its Local Community

Abstract: This study was designed to identify the relationships between place attachment, residents’ perceptions of tourism effects, and their attitudes toward tourism developments in the context of film tourism destination. A main survey was conducted at seven representative TV drama/film production towns in Korea. Among various findings, both the local communities’ beliefs about local development through the construction of TV drama/film production towns and their attachment to the communities had a significant positi… Show more

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Cited by 16 publications
(7 citation statements)
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“…Over the last two decades, film tourism or film-induced tourism has developed into a subject area, in which a variety of issues are explored, including fandom and pilgrimage (Geraghty, 2019: 208–211; Reijnders, 2011: 113–114), destination management planning (Lindström, 2019), labour conflict (Tzanelli, 2013: 53–62) and strategic destination development (Wray and Croy, 2015). The question of sustainability seems to cut across all these themes, as there have been scholarly voices questioning the longevity of interest in such niche tourism (Beeton, 2016; Kim et al, 2017; Macionis, 2004), but also the factors determining this (Thelen et al, 2020). Contrariwise, there has been less interest in the sociocultural modus vivendi rather than economic consequences and impacts of such development for the filmed destinations that have to host diverse tourism mobilities (Buda, 2015; Tzanelli, 2018).…”
Section: Film Tourism Art and The New Spirit Of Capitalismmentioning
confidence: 99%
“…Over the last two decades, film tourism or film-induced tourism has developed into a subject area, in which a variety of issues are explored, including fandom and pilgrimage (Geraghty, 2019: 208–211; Reijnders, 2011: 113–114), destination management planning (Lindström, 2019), labour conflict (Tzanelli, 2013: 53–62) and strategic destination development (Wray and Croy, 2015). The question of sustainability seems to cut across all these themes, as there have been scholarly voices questioning the longevity of interest in such niche tourism (Beeton, 2016; Kim et al, 2017; Macionis, 2004), but also the factors determining this (Thelen et al, 2020). Contrariwise, there has been less interest in the sociocultural modus vivendi rather than economic consequences and impacts of such development for the filmed destinations that have to host diverse tourism mobilities (Buda, 2015; Tzanelli, 2018).…”
Section: Film Tourism Art and The New Spirit Of Capitalismmentioning
confidence: 99%
“…While the myth of the fortuitous economic impact of film tourism continues to perpetuate globally, it is worth noting that not every film or TV program generates visible economic impacts through its spin-off effect on tourism and related areas such as hospitality and the creative industries (Beeton, 2016; Croy et al, 2018; Croy & Heitmann, 2011; S. Kim et al, 2017; S.…”
Section: Literature Reviewmentioning
confidence: 99%
“…(McKercher et al, 2015, p. 53). Third, residents' perceptions and attitudes of the impacts of film tourism development occurring within mainstream tourism regions and destinations has received little research attention (Beeton, 2016; S. S. Kim et al, 2015;S. Kim et al, 2017;Thelen et al, 2020).…”
Section: Introductionmentioning
confidence: 99%
“…22 Not flying to New York also clearly reduced our carbon footprint and so has implications in relation to addressing the environmental impact of film tourism (see Kim et al 2017).…”
Section: Concluding Reflectionsmentioning
confidence: 99%