Fiestas, public space and rape culture. A study of the Wolf Pack 1 case

Beltrán, Anna Morero; Calvet, Clara Camps

doi:10.4324/9780429344893-3

Cited by 2 publications

(1 citation statement)

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“…The growing evidence base documents the scale where two thirds of surveyed female music creators identify sexual harassment as a major issue globally (MIDiA Research, 2021). Reporting and research have documented sexual harassment and violence in music industry in different contexts including Nigeria (Aborisade, 2021), Spain (Beltrán and Calvet, 2020), Australia and New Zealand (Crabtree, 2020;Wadds, et al, 2021), Cuba (Bodenheimer, 2022) and India (Balakrishnan, 2019). Focussing primarily but not solely on UK, Australian and US research, this article examines sexual misconduct and offers a feminist informed critique of the music industry.…”

Section: Introductionmentioning

confidence: 99%

The sound of misogyny: sexual harassment and sexual violence in the music industry

McCarry

Käkelä

Jones

et al. 2023

Journal of Gender-Based Violence

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The cultural and creative industries are the fastest growing industries in the UK (Webster et al, 2018). Stakeholder engagement, media reporting, anecdotal evidence and emerging research suggests that there are endemic levels of sexual harassment and sexualised violence within the music industry that can be described as widespread, systemic and normalised. This article reviews the literature on sexual harassment and sexualised violence in the music industry, examining gender stratifications and inequalities within the music industry with a focus on UK, Australian and US studies. The music industry is not a singular entity but instead, is an agglomeration of many different sub-sectors predominantly consisting of three interconnected spheres of music recording and distribution, music publishing and licensing, and live performance. This paper references Kelly’s (1988; 2007; 2016) theorisations on conducive contexts and the continuum of violence to argue that historical and entrenched misogyny and sexism along with the lack of regulation, process and governing frameworks create conditions for both the maintenance of gender inequality and the perpetuation of sexual harassment and sexualised violence within the music industry. Consequently, both the cultural context and the practice of misogyny (in this case sexual harassment and sexualised violence) within the music industry are mutually supporting and reinforcing.

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Section: Introductionmentioning

confidence: 99%

The sound of misogyny: sexual harassment and sexual violence in the music industry

McCarry

Käkelä

Jones

et al. 2023

Journal of Gender-Based Violence

View full text Add to dashboard Cite

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Key Elements in the Representation of Sexual Violence in Spain: Consent, Myths and Stigma

Recalde-Esnoz,

del Castillo,

Montalvo

2024

Sexual Violence - Issues in Prevention, Treatment, and Policy

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This chapter presents the deepening knowledge of consent, myths and stigma in the social representation of sexual violence. A critical, empathic and sensitive scientific framework that allows redesigning better political and social actions for victims is presented. This also improves educational programs that seek the eradication of rape. An exhaustive bibliographic search was conducted utilising different databases. Recommendations include the need to construct counter-representations of current hegemonic stories that provide victims of sexual violence with elements and narratives that influence healthy, recovery-based outcomes.

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Fiestas, public space and rape culture. A study of the Wolf Pack 1 case

Cited by 2 publications

References 0 publications

The sound of misogyny: sexual harassment and sexual violence in the music industry

The sound of misogyny: sexual harassment and sexual violence in the music industry

Key Elements in the Representation of Sexual Violence in Spain: Consent, Myths and Stigma

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