Fictional Worlds and the Economy of the Imaginary

Pavel, Thomas; Allén, Sture

doi:10.1515/9783110866858.250

Cited by 13 publications

(16 citation statements)

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“…A ficção, assim, pode ser entendida como a imitação de ações (mimesis), um poder ter sido (Aristóteles, 2006), organizada em uma mise-en-intrigue (ficcional ou histórica) (Ricoeur, 1983), distinguindo-se pela intencionalidade do discurso (Searle, 1979), simulando mundos (Pavel, 1989) ou situações possíveis, nas modalidades colaborativa e predominante, podendo interagir com a factualidade (Mendes, 2004).…”

Section: Um Conceito De Ficção Em Análise Do Discursounclassified

Algumas questões sobre ficção, discurso literário e Análise do Discurso

Morato

2019

CAL

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Este artigo aborda algumas questões envolvendo o conceito de ficção e suas relações com o discurso literário pelo viés da Análise do Discurso de linha francesa. Nossa abordagem recorre à teoria da ficcionalidade, de Mendes (2004), à teoria Semiolinguística de Charaudeau, através dos conceitos de contrato de comunicação ([2004] 2013), visada discursiva ([2001] 2014) e imaginários sociodiscursivos (2006), e a noção de estilo, apresentada por Bally (1951) e Maingueneau (2004). Na perspectiva desta investigação, a ficção no discurso literário é constituída pelo contrato de comunicação, pelos imaginários sociodiscursivos e pelo estilo. Para ilustrar nossas posições, utilizamos a análise de duas obras literárias: o poema épico Vila Rica, de Cláudio Manoel da Costa (1729-1789) e o romance A Jangada de Pedra de José Saramago (1922-2010).

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Section: Um Conceito De Ficção Em Análise Do Discursounclassified

Algumas questões sobre ficção, discurso literário e Análise do Discurso

Morato

2019

CAL

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“…); they are incomplete, since they do not assign truth-values to all conceivable propositions (Dolefcel 1988(Dolefcel , 1989Eco 1990: 64-82;Maitre 1983: 38); they are not always consistent, i.e. they may include logical contradictions and defy necessary truths (Wolterstoff 1980: 155-57;DoleSel 1988DoleSel , 1989Eco 1989Eco , 1990Pavel 1989). DoleSel mentions the novel La maison de rendez-vous by RobbeGrillet äs an example of a world made logically impossible by a number of internal contradictions: the same place is and is not the setting of the novel, the same event is claimed to have occurred in several different ways, and so on (Dole^el 1988: 492-93;1989: 239-40).…”

Section: Possible Worlds In Logic and In Fictionmentioning

confidence: 99%

“…I will then proceed to demonstrate in some detail a possible-world approach to the analysis of two postmodernist poems. The latter choice is motivated by the fact that the worlds of postmodernist literature pose rather peculiar problems, and have therefore received a considerable amount of attention from possible-world theorists (DoleSel 1988(DoleSel , 1989Eco 1979Eco , 1989Eco , 1990Pavel 1989). …”

Section: Possible Worlds and Poetic Text Worldsmentioning

confidence: 99%

“…(e.g. Eco 1979Eco , 1990Pavel 1986, Ryan 1991a); b. classify text worlds on the basis of the accessibility relations (Kripke 1971) that link them to the actual world, i.e. on the basis of criteria such äs logical possibility, physical possibility, and so on (e.g.…”

Section: Introductionmentioning

confidence: 99%

“…Dolefcel , 1976bMaitre 1983, Ryan 1991a, with the occasional reference to drama (e.g. Pavel 1986). Poetry, on the other hand, has been largely neglected.…”

Section: Introductionmentioning

confidence: 99%

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Narratives mirror shared interpretations of the world. Still, dominant narratives prevail, pushing non‐hegemonic narratives in the corner. A change in the creation, interaction and distribution of narratives can support the design of counter‐narratives able to feed social change. Interactive Digital Narrative (IDN) can be considered an emerging experimental context in which designers, researchers and practitioners from various domains operate to develop story‐based content addressing relevant social or societal issues. The IDN social constructivist role in encouraging or influencing individuals and collectivities towards social change is a relevant design issue especially from an educational perspective. Specifically, it features methodologies and praxis not yet systematised, in need of exploration and formalisation. Recognising the contribution of an approach combining transdisciplinary methods and tools, the article presents a pedagogical model for designing IDNs as complex interactive systems able to impact culture and society based on empirical study from a design course in the higher education context. Composed of theoretical and operational frameworks, the pedagogical model orients the multilayered design process for building engaging, interactive narrative artefacts systematising and operationalising knowledge from the domains of Communication for Social Change, storytelling and IDN in an iterative design process.

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Fictional Worlds and the Economy of the Imaginary

Cited by 13 publications

References 0 publications

Algumas questões sobre ficção, discurso literário e Análise do Discurso

Algumas questões sobre ficção, discurso literário e Análise do Discurso

Possible Worlds in Poetry

Design for Narrative Change. A Pedagogical Model for Interactive Digital Narratives

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