1991
DOI: 10.1080/08927014.1991.9525362
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Female song in European starlings: the case of non-competitive song-matching

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Cited by 24 publications
(20 citation statements)
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“…Observations of motor responses to these whistles were also made by Feare (1984) and by Hausberger and Black (1991). Furthermore, experiments on female starlings have revealed particular attention and head movements in response to the playback of such songs .…”
Section: Discussionmentioning
confidence: 92%
“…Observations of motor responses to these whistles were also made by Feare (1984) and by Hausberger and Black (1991). Furthermore, experiments on female starlings have revealed particular attention and head movements in response to the playback of such songs .…”
Section: Discussionmentioning
confidence: 92%
“…Obviously, the presence of an adult male is necessary for young to acquire typical click motifs. This is especially interesting as wild-caught females in general do not or less frequently produce them (Hausberger & Black, 1991;Hausberger, Henry, & Richard-Yris, 1995, Pavlova et al Other song features on the contrary appeared to be ''canalized'' by the presence of adults: only the birds with a forced contact with only one adult produced proportions of high frequency elements similar to those of wild adult males. Our results recall of West, King, and Freeberg's (1997) observation that young male cowbirds deprived of direct experience with adult males overproduced some song features that were highly attractive to females.…”
Section: Social Influence On Song Qualitymentioning
confidence: 90%
“…These elements often include rapid frequency modulations (Adret-Hausberger & Jenkins, 1988;Eens et al, 1989Eens et al, , 1992aHausberger, 1997). Click and high frequency motifs are generally found in all wild-caught adult male birds (Adret- Hausberger & Jenkins, 1988;Eens, Pinxten, & Verheyen, 1991a) whereas they can lack or can be far less produced by females (Hausberger & Black, 1991;Hausberger, Richard-Yris, Henry, Lepage, & Schmidt, 1995;Pavlova, Pinxten, & Eens, 2005). The production of click and high frequency motifs is accompanied by different patterns of wing movements specific to male birds (wing-flicking for click motifs and more frequently wing-waving for high frequency motifs (Böhner & Veit, 1993;Eens et al, 1989)).…”
Section: Song Terminologymentioning
confidence: 97%
“…In general, song sharing is sex specific in starlings (Hausberger et al 1995a) and female starlings learn their songs from other females (Poirier et al 2004). Females do not sing species-specific song themes (Hausberger and Black 1991;Hausberger et al 1995b), and they tend to direct their song largely towards other females in aggressive contexts (Sandell and Smith 1997). Sex differences in auditory brainstem responses have recently been noted in brown-headed cowbirds, Molothrus ater, which could be the result of different selective pressures on each sex (Gall and Lucas 2010;Gall et al 2011).…”
Section: Sex Differences On Auditory Tasksmentioning
confidence: 97%