2015
DOI: 10.1037/aca0000014
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Fashioning cross-cultural creativity: Investigating the situated pedagogy of creativity.

Abstract: CitationRadclyffe-Thomas, Natascha (2015) Fashioning cross-cultural creativity: Investigating the situated pedagogy of creativity. Psychology of Aesthetics, Creativity and the Arts, 9 (2). pp. 152-160. ISSN 978-1-4338-2115-8Creators Radclyffe-Thomas, Natascha Usage GuidelinesPlease refer to usage guidelines at

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Cited by 6 publications
(2 citation statements)
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References 55 publications
(100 reference statements)
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“…Teaching creativity is sometimes confused with creative teaching [ 57 , 58 ]. Teachers and students may have different conceptions of creativity [ [59] , [60] , [61] ], and learning outcomes can vary depending on the subject and student audience [ [62] , [63] , [64] , [65] ]. Generic teaching techniques that foster creativity may not be as appropriate for all domains [ 66 ], and teachers need more references to help select the appropriate teaching methods [ 67 ].…”
Section: Literature Reviewmentioning
confidence: 99%
“…Teaching creativity is sometimes confused with creative teaching [ 57 , 58 ]. Teachers and students may have different conceptions of creativity [ [59] , [60] , [61] ], and learning outcomes can vary depending on the subject and student audience [ [62] , [63] , [64] , [65] ]. Generic teaching techniques that foster creativity may not be as appropriate for all domains [ 66 ], and teachers need more references to help select the appropriate teaching methods [ 67 ].…”
Section: Literature Reviewmentioning
confidence: 99%
“…There is also a growing diversity among the student population (Malcolm & Roll, 2017;Radclyffe-Thomas, 2015;Samuels-Peretz & Powers, 2014). This diversity calls for assessment to be more flexible and tailored to the student's specific needs.…”
Section: Large Differences In Millennial Learners and The Need For Universal Instructional Design In Assessment Designmentioning
confidence: 99%