“…He had just emerged from a war against fascism, victorious and confident that arguments alone, poetry of negritude alone, historical reconstructions of the heritage of the Other alone and sexuality alone would not have been adequate for the defeat of a fascist enemy who was bent on subduing its opponents by genocidal violence. In his 2014 documentary based on the first and the last chapters of Fanon's The Wretched of the Earth, Göran Olsson used colonial archives in Sweden to prove that Fanon was writing against colonial violence that affected the colonized physically and psychologically ( Olsson, 2014;Kullberg, 2015).…”