›Fallende Quintanstiege‹. Ein Modellversuch

When in Rome: A Meta-corpus of Functional Harmony

“…Most, including Figure1, are of songs in the OpenScore Lieder Corpus(Gotham and Jonas, 2021).8 See, for instance,Tymoczko et al (2019) andMicchi et al (2020).9 First reported inCuthbert and Ariza (2010), music21 is a wellknown library for symbolic music processing with a provision for RNTXT that continues to be maintained and developed. Some of the code provided also builds on music21.10 For a discussion-cum-proposal on this subject, seeGotham (2021).11 Notable here is the 'Romantic Piano Corpus': publication forthcoming as Hentschel et al 'An Annotated Corpus of Tonal Piano Music from the Long 19th Century'.12 As discussed, every analysis and remote.json file includes an attribution for the avoidance of doubt.13 SeeHuron (2016) for a wide-ranging overview from a major protagonist of this field.14 See(Lewandowski, 2010) for an introduction andGotham (2023) for an analysis of occurrence in this data.15 For instance, seeVatolkin and McKay (2022) for an approach to handling six feature-source types together: 'audio signals, semantic tags inferred from the audio,symbolic MIDI representations, album cover images, playlist co-occurrences, and lyric texts. '16 At least for present purposes, we distinguish between formalised musical analysis and wider, related data such as tagging.…”